With the help of some of the best and brightest Shakespeare fans in the world, we’re diving deep into 38 plays in 35 episodes (Henrys IV & VI only get one episode a piece; sorry, Bill). In every episode of The Shakespeare Series, I’ll be joined by a different guest (or guests) to discuss a […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. For about ten years, I only knew Luis Fernandes as the most memorable beer guy at the Skydome (the man knows his baseball). In 2016, I discovered that he’s actually a theatre creator- a […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual…
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Every time I write about a new Michael-David Blostein performance, I find myself calling it a “career best” because he just keeps getting better. In Good Old Neon’s bold and brutal Blue Remembered Hills, one of […]
With Broadway ticket prices being what they are, it’s easy to despair and give up on the prospect of seeing quality musical theatre in New York without giving up and arm and a leg. “Musicals Tonight!” attempts to ease that fear by providing quality productions (on 42nd Street no less, at the Lion Theatre) without the […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. It could be argued that no single playwright had a bigger impact on the 2017 Toronto indie theatre season than Michael Ross Albert. He has two plays nominated for Outstanding Production and together they totalled 12 […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. When you see upwards of 200 plays a year, it feels like a godsend when a company comes along that you can rely on to always make good theatre. That’s Unit 102 Actor’s Company for me. […]
It has been asked, “Will this increasingly digital & virtual age lead to the ultimate death of live performance?” It’s a “video killed the radio star” kind of question, and the insatiable rise of streamable content implicitly makes theater (or concerts, sporting events, or any live performance for that matter) look increasingly antiquated. The survival […]