Two small, run-down apartments are the settings for two new George F. Walker plays, which taken together complete his Parkdale Palace Trilogy (begun with last year’s The Chance, which I must confess to not having seen), which are being staged at the Assembly Theatre in a double bill. Put on by Low Rise Productions and […]

After a run at the Edinburgh Fringe, Maddie Rice brings her comedic one woman show Pickle Jar, directed and developed by Katie Pesskin, to the Soho Theatre in London and delivers a skillful and hilarious performance. Rice successfully establishes the world of her main character, known only as Miss, as well as cleverly portraying all […]

 

Norman Yeung’s Theory is an ambitious meditation on thorny and topical issues, from free speech in academia and society to race and representation in media. Isabelle, a proudly progressive film professor, sets up an anonymous and self-moderated discussion board for her radical new syllabus. Students flood the forum with vicious comments and a campaign of […]

Part cabaret, part musical, Saucy Jack and the Space Vixens is a rowdy sci-fi romp — reminiscent of what a lovechild between Rocky Horror Picture Show and Barbarella would look like. Having been reproduced in both the US and in the UK, this Toronto iteration by Small but Mighty Productions serves it well, though the […]

The proof is in the pudding is a strangely apt synopsis of The Art of Degeneration, a solo show by Louis Laberge-Côté. Why so? Because the climax of the show is him dipping his hands in chocolate pudding and smearing it all over this body. But here is the crazy part: it is absolutely appropriate […]

Secret Life of a Mother at the Theatre Centre is a stunning exploration of the raw, invisible, and gritty realities of two women’s experiences of parenthood. Created by Hannah Moscovitch, Maev Beaty, Ann-Marie Kerr, and Marinda de Beer, the narrative centres on Moscovitch’s early experiences with motherhood, performed as a solo show by Beaty. The […]

 

The current political climate has stirred many a playwright to tackle political themes and motifs in indie theater productions, and Vincent Delaney’s The War Party seems sprung from the brutal politics playing out on the American landscape and the politicians wielding words as weapons to the detriment the country as a whole. Presenting a play about a […]

It is one of the cultural responsibilities of art and entertainment to reflect on and help us make some sense of current events and contemporary trends shaping our cultural discourse. Recently, the expansive world of independent theatre in New York City has certainly stepped up to do its job in this; producing an expansive array […]