A periodic cry, almost a scream, penetrated the performance space as the audience arrived and settled into their seats. It was unsettling, but mostly ignored. Choreographer Daina Ashbee’s Pour– presented by TO Live in association with Native Earth Performing Arts and The Theatre Centre- seemed to begin when a figure (dancer/interpreter Paige Culley) began pacing across the front of the stage, still […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual …
Call Me Vicky, the debut play from sisters Nicola and Stacey Bland is based on an entirely true story and is an absorbing, well-written and thought-provoking production. Set in the 1980’s, the play tells the story of Martin, played by the talented Matt Greenwood, who is transitioning from male to female, and the struggle of […]
Good Morning, Viet Mom is a wonderfully funny and touching play that has been created and curated so thoughtfully. Journeying from the Fringe Festival to the Next Stage Festival, Good Morning, Viet Mom is now at the Aki Theatre, and will shortly be departing for a Canadian tour. It’s so invigorating to see a play […]
Cirque Éloize captures perfectly the bustle and glamour of a 1920’s art-deco hotel in their most recent show. Performed at the St. Lawrence Centre, Hotel is a great success, pleasing audiences from giggling toddlers to circus regulars and cynical viewers. Cirque Éloize tries an interesting new tactic for the world of contemporary circus in this […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Eliza Martin was born and raised in Toronto, Ontario. She graduated from Cardinal Carter Academy for the Arts with a Drama Specialist before attending the Theatre and Drama Studies program at both University of […]
From success in the UK to sinking on Broadway, The Last Ship has enjoyed a mixed reception around the world. Though not always plain sailing, Sting’s musical has launched successfully at its new home in Toronto. Director/book writer Lorne Campbell’s revamped production is by no means perfect, but boasts a number of strong performances and […]
What does it mean for a performer to take on a role? Prince Hamlet, Ravi Jain’s radical reframing of the Shakespeare classic remounted here by Canadian Stage and Why Not Theatre, juggles contradictory answers to that question. Jain describes his mission as “challeng[ing] what stories are being told and who gets to tell them”, which […]