Set in Duluth, Minnesota in winter 1934, Girl from the North Country is not a typical musical. Understated and thoughtful, this Depression-era drama does not conform to what people might expect from a West End and soon to be Broadway hit. Instead of attempting to blow you away, the production quietly pulls at your heart […]
The Coal Mine’s presentation of Knives in Hens is a beautiful rendition of the mid-nineties play written by David Harrower — Director Leora Morris has skillfully and lovingly brought the Scottish work to Toronto in a way that captures the audience well for the 80 minute production. A small farming community’s characters know little more than what […]
There are a few key ways to judge a new artistic director taking over an established company. Some people who aren’t technically wrong but are awfully cynical might look to fundraising ability or at least PR prowess. Artists invariably talk about company leadership and setting the right tone in the rehearsal room, which makes sense. […]
In Tennessee Williams’ extensive canon, The Glass Menagerie stands out as the original “memory play”: the work is framed as the hazy recollections of the main character, whose reliability as a narrator is an open question. Williams uses this to issue an invitation to actors and directors to fill in and flesh out those memories as […]
Both the best and worst thing about theatre, and indie theatre especially, is its ephemerality. Productions close so fast that you never have the time you need to tell every person you’ve ever met, and some you haven’t, that they have to see the show you just saw. And in the Toronto independent theatre landscape, […]
David Yazbek & Itamar Moses’ slinky musical adaptation of the 2007 Israeli film The Band’s Visit is one of those artistic oddities that wins incredible acclaim and most people still have never heard of it. Its 2017 Broadway premiere earned 10 Tony Awards, including all the big ones, including Best Musical, but it hasn’t captured […]
The 1978 play Betrayal comes alive through Soulpepper’s production. The cast and crew are immaculate, and the set is designed in an incredibly effective way. Time slides through the cracks in the audience’s fingers, manipulated with slight changes of costume, hairstyle, or the addition of a single prop. Streamlined and sensual, Betrayal brings to light […]
If staging the perfect murder is hard enough, staging a good murder mystery has its own challenges. With all the mischievousness of its main characters, Patrick Hamilton’s Rope dodges those responsibilities by flipping the script: the murder is made in front of us and the motive is the mystery. It’s been a while since thrillers […]