I love The Actors’ Shakespeare Project, I really do, but this will prove a very short review because I far from loved their Antony & Cleopatra (playing until May 21st at The Modern Theatre). I could write for hours about Adrianne Krtansky’s clunky direction, the snail-like pacing and strange focus. I could complain loudly about […]
I went to see Eurydice with a friend who has never seen a show by the Independent Drama Society. The show was set to begin at 8pm. It took him until 7:58 to declare “I’m in love with this company”. My fandom for IDS has been growing exponentially with every production they’ve done, but, as […]
BU On Broadway’s Sweeney Todd premiered last night and will continue all weekend in the Tsai Performance Centre at 8pm. The production was a breath of fresh air in BU theatre as it united some of the school’s absolute brightest talents against the backdrop of a challenging and entertaining piece from Stephen Sondheim. Directors Jillian […]
Flat Earth Theatre’s production of The Underpants (by Steve Martin) was a pretty enjoyable way to spend an evening. It was an interesting ride: sometimes I was totally enamored with the actors, and sometimes I was thoroughly underwhelmed by the technical aspects of the show and select performances, but the script saved the day. I […]
Theater For a New Audience’s The Merchant of Venice, a restaging of a New York version of Shakespeare’s famously controversial “problem play”, is an odd duck of a production– a whack-a-mole of quality that pulls concepts and character arcs off stage just as they begin to fully form. The production is nowhere near a loss– […]
The final production of The Actors’ Shakespeare Project’s Winter Festival was Living in Exile. The production hit roadblock after roadblock on its way to the stage, including an actor’s major injury, a weeklong postponement and the death of the playwright, Jon Lipsky. But when I finally got to see the show last Sunday, it was […]
Truth be told right out of the gate, I don’t consider Billy Elliot a great musical. It’s a wonderful story, I’ll grant you that, but Elton John is capable of so much better than the derivative music he puts forward for this adaptation of the hit film. The choreography is lovely but the direction somewhat […]
BU’s School of Theatre took on Julius Caesar last weekend, staging the homosocial epic in the unique Studio 102 space in the College of Fine Arts with a fifteen person all-female ensemble. It was an uneven production that made good use of space (the wonderfully dressed up studio was a feast for the detail-oriented eye) […]