Our annual My Entertainment World Award Season begins today. We’ll start with the nominees for our second annual My Theatre Awards; the fifth ever My TV and second My Cinema Award nominees will follow soon. Then we’ll kick off our Nominee Interview Series and announce the Winners, Performers of the Year and recipients of our […]
Red Sandcastle Theatre’s holiday pantomime was a silly, boring and painfully unfunny affair full of too-long and uninventive musical numbers, tacky and unfair Rob Ford jokes and truly dreadful writing from the otherwise outrageously talented Rosemary Doyle. Alice in Blunderland– presented as the indie, non-conformist alternative to the more corporate (and vastly superior) Ross Petty […]
I never turn down a Shakespeare play. In fact, a while ago I had a weekend full of Shakespeare. Back in November, I was ecstatic that a new company emerged in the Boston theatre scene, and I was excited to check out some of Commonwealth Shakespeare’s interns and actors at work. Full Contact Theatre presented […]
The Next Stage Festival is the fascinating bridge between a show’s Fringe Festival run and its life beyond the circuit. It’s an inspired idea and a chance for some truly splendid indie theatre to get a little more attention than it did/would amidst hundreds of Fringe offerings in the summer. There are 12 shows this […]
I wasn’t in The American Repertory Theatre’s (A.R.T.) acclaimed Sleep No More. And I haven’t even seen the version in New York. But if you saw the version in Boston, then I might have been lurking in the shadows behind you, wearing a black mask. If you haven’t seen the show at all and are […]
My Theatre Favourite (and last year’s “Performer of the Year“) Jessica Moss’ new show opens tonight at the post-Fringe festival Next Stage down at the Factory Theatre. The creator/performer of the solo piece describes Modern Love as ” a very theatrical, comedic look at how we connect with each other, technology, and ourselves, in a world […]
I don’t remember the last time I saw a Mirvish production that really wowed me. The Toronto titans of entertainment are known for big budget musicals and star-powered productions, but it seems like lately their light just isn’t as bright as it was in the pre-Sars heyday of The Lion King and Mamma Mia. The […]
or Sir John Falstaff, pt. 3 Let me start off by saying this: I have nothing to say about the text of this play. I refuse to get involved in that. I could probably spend this entire article writing about how little I actually like Merry Wives, or how disappointed I am in William for […]