I wanted to like this play. I have a love of the playwright, Paula Vogel, since before college. The play is part of the LGBTQ theatrical canon and provides magical, but heartfelt, portrayal of living and suffering from HIV and AIDS. Yes, the play is topical (if slightly dated with the advent of new medicine […]

It’s hard to forget a company like the Huntington Theatre Company in Boston. It surprises audiences continuously with its award-winning seasons. Their late spring production of Rapture, Blister, Burn was no exception. Peter DuBois led a charming cast of talent in this biting new comedy by Gina Gionfriddo. While Gionfriddo is not a household name, […]

Just one more, I promise. This is the last one. And I promise this one is nice. This one is really nice. Because this was the thing I liked. This was the Only thing I legitimately really liked over the course of the entire Fringe Festival without previously liking the company, the text, the director […]

After two instalments of highly critical Fringe complaining (Part 1, Part 2– my colleagues were much nicer), I have two productions left to discuss. One was pretty good but not as great as I wanted it to be, one was one of the highlights of the year in theatre so far. But what they share is the participation of artists […]

 

This is the first Hub Theater Company show I’ve seen and I wasn’t sure how I felt about it when I walked away. Nora and Delia Ephron’s play, based on the book by Ilene Beckerman, gets the job done but leaves a lot to be desired. It starts out with a really great set-up. The […]

Click Here to read Part One of my Fringe 2013 saga. Fuck Shakespeare sounded like something I might like. It was about a playwright (I love stories about writers; I generally find that writers do a good job writing them- who’dathunk?) and supposedly incorporated Shakespeare somehow. That’s more than enough reason than I need to […]

“You’re not special just because you got hit by lightning.” “The internet thinks I am.” It is much easier to review a show that is unequivocally bad or mind-blowingly amazing. It is the complicated show with so much potential but a final production that ultimately doesn’t work, that creates a conflict for me. I want […]

As soon as I sat down in the Annex Theatre for my first-ever Toronto Fringe experience, I realized that I had already made my first Fringe mistake. I failed to select a seat that would allow for an easy escape. Striding across the stage in the middle of a performance in order to leave is neither a good idea […]