Season Ranking: #2 Lady Windermere’s Fan is the best production at this year’s Shaw Festival that is great mostly because of what the company has done with it. Oscar Wilde’s script is fun and full of giddy twists but it’s inventive director Peter Hinton (with an MVP assist from set designer Teresa Przybylski) who makes […]
Season Ranking: #5 Don’t take the title of this article the wrong way- Old Hat is just fine when it comes to Guys & Dolls. In fact, it’s the only way to do it. A musical so firmly rooted in its time and style shouldn’t really be tampered with. It should just be performed somewhat […]
Season Ranking: #6 I was really looking forward to The Light in the Piazza. I love small, contemporary musical theatre and I’d never seen Adam Guettel’s work though I’d heard wonderful things about it. But it didn’t quite capture me. The classical bent of the music, language-barred lyrics and awkwardly rushed love story just aren’t […]
Season Ranking: #7 It seems genuinely weird to me that, in a season of 10 shows, Major Barbara is the only George Bernard Shaw text being produced at The Shaw Festival in 2013. Now, I’m not a great George Bernard Shaw fan so that’s not a huge problem for me, it just seems a little […]
Season Ranking: #3 Every time I’ve reviewed Moya O’Connell in the past, I’ve made some mention of how beautiful she is. The reason I do that is two fold: 1- The major roles in question were Maggie the Cat and Hedda Gabler, characters whose beauty is talked a lot about in their respective plays; so […]
This is the second year in a row that My Theatre’s Emerging Artist Award has gone to someone who serves as the face of their theatre company (this year’s Honorary Award did too). The reason for that is fairly simple- the regular My Theatre Awards have a ton of acting categories, one for playwrights and […]
It is difficult to graduate with a college degree without drinking at least one White Russian at a The Big Lebowski viewing party. My college experience was no exception, and I have developed an appreciation for Ethan Coen’s sharp use of language, his dark comedic style and his eccentric characters through many viewings of his […]
With the crazy summer theatre season finally coming to a close, many of Toronto’s smaller companies are taking the lull in big-ticket fare to kick off their seasons with intimate, impactful dramas. The first two plays I saw this week were two-act studies of modern life at polarized ends of the socio-economic scale, both written […]