It is a rare treat when a talented cast gets a hold of an engaging play that leaves the audience cracking up one minute and utterly subdued the next. Roundabout Theatre Company’s production of Joshua Harmon’s Bad Jews, directed by Daniel Aukin, at the Laura Pels Theatre is a darkly comedic and compelling show about […]
I cannot help but think that Nina Mansfield conceived of Gymnos: A Geek’s Tragedy while hobbling along on an elliptical machine in an over-crowded gym. Do not get me wrong, I am 100% behind my illusionary version of Ms. Mansfield – gyms suck. Gyms are terrible. Whoever thought that communal exercise was a good idea* must […]
The Canadian Opera Company is kicking off their 2013/14 season with a really smart choice. Puccini’s La Bohème is among the world’s most famous operas but it’s also one of its more entertaining. Far from the unrelenting doom and gloom of every other example I can think of (except Gianni Schicchi, that one is a Hoot), […]
The performance time listed on the company’s web page was the first detail to catch my eye. I have not seen many small theatre performances that list their end time along with their start time, much less list it accurately. But there it was: Saturday September 28th, 2013, 8:00 PM to 10:00 PM. This was […]
Both of CanStage’s current productions are contemporary one-act contemplations of female power as attained through sexuality (to put it as simplistically as I possibly could). In The Flood Thereafter, the mythological sirens are represented in the figure of Courtney Ch’ng Lancaster as a brash and modern young woman paid to unceremoniously remove her clothes once […]
We’re in October, and while our list is relatively short, we have some gems on our calendar. We’re noticing a lack of fringe theatre; are we just ignorantly unaware of the masterpiece works in our greater Boston community or does Boston lack quality fringe theatre? Email me press releases! Email me links of new, emerging […]
Politically charged and culturally relevant plays face a significant hurdle on the revival circuit – historical context. Popular social commentary is ever changing and playwrights that take up causes are, in part, dependent upon their audience knowing the historical and cultural backdrop for their message. Therein lies the problem for the Keen Company’s revival of […]
I am not a public crier. Of the hundreds of movies and theatrical productions that I have seen in my 26 years on this planet, I can count on one hand the number of times that I cried in a theatre. So, you can imagine my bewilderment when I found myself wiping tears away with […]