I feel like I have visited the sanctum of red-haired women and should dye my hair fuchsia plum before disclosing their secrets. Thankfully, having rocked (albeit fake) red hair at least twice in my life, I think that I am qualified to say this: One Old Crow Productions’ creative staging of Sherry Kramer’s David’s RedHaired […]
The law is reason, free from passion. Point taken, Aristotle. The law is neither sympathetic nor scornful. Everyone is theoretically equal before the black letter of the law. Philosophy is all well and good, but let’s get real for a second. While the law may be free from passion, humans are anything but. This simple […]
I re-wrote this review three times, which is never a good sign. Do not get me wrong. Sharr White’s new play The Snow Geese is not bad per se, it just left me feeling incredibly nonplussed. Set during the first World War, Snow Geese is a story about adaptation, perception and pretense – it thrusts […]
Following up their universally beloved production of Angels in America, Soulpepper has embarked on a fall program that is both varied and ambitious though not altogether successful, at least not comparatively speaking. 2013 was the season of the multi-part play at The Young Centre with The Norman Conquests ‘ three parts playing a key role. […]
I find opera very hard to connect to most of the time. The outrageous plots, the technicality of the music, the stiffness of the acting, the surtitles- it all works out to a medium that rarely holds my attention the way I want it to. That’s why Peter Grimes is proving such a refreshing change […]
We all have them. Those books or plays we battled in high school and despised for a plethora of reasons, some legitimate (with all due respect William Faulkner, punctuation is a useful writing tool that you should consider wielding) and some less so (dear Holden Caulfield, please stop being emo, thanks). Do not get me […]
“How will they stage a radio play?” I had no doubts that a creative theater company could very well stage a radio play, especially if the play in question was written by Angela Carter, the late British woman-of-many-letters, a novelist/journalist/dramatist/critic known for drinking deeply from the Gothic and the fantastic in literature, and infusing much […]
After seeing a total of seven productions at this years SummerWorks theatre festival in Toronto, I decided to grade my reactions on an ascending scale. This began with two shows that somehow either went over my head or never really near it at all: Show and Tell Alexander Bell and Entitlement in Part 1, followed […]