A few years ago, I heard a knock on my door and wavered about answering it. It was almost eight in the morning, and I should have been out the door and on my way to work already. I had stopped only to sweep my incredibly dusty hallway before hurrying to catch the 66 bus. […]
It was the good, the bad, and the ugly this year at the Tony Awards (and its not entirely Clint Eastwood’s fault, although he certainly contributed). From the bizarre opening number (if you haven’t seen the 1953 movie Small Town Girl that Hugh Jackman’s hopping routine was inspired by – well, neither had 98% of […]
Canadian Stage’s Intermission is a new immersive event series inspired by the current programming of the company. Vol. I drew on Robert Lepage’s hit from last season, Needles and Opium, and the upcoming multi-media piece Helen Lawrence, using music and media to suggest the underground art scene of the 50s and 60s. The series seems […]
Upon arriving at the Zack Box Theatre at The Boston Conservatory, we were told that the house would not be opening until about 5 minutes prior to the performance time. When the doors finally did open, we were asked to remove our shoes, place them on a shoe rack, and only then enter the performance […]
Into the Woods may be one of my favorite Sondheim musicals, if not one of my favorite musicals. I have seen and participated in countless productions of this show, so I come to The Lyric’s production with a wealth of knowledge and experience. For any other production, this burden would be insurmountable; I would be […]
I am an actor. Since graduating from theatre school almost four years ago, I have also become (in order and to greater or lesser degrees) an acting coach, a director, a stage combat choreographer and teaching assistant, a producer, an adaptor, and finally, a writer. One of the joys of being a young Canadian actor […]
For their inaugural production, socially conscious Clock Tower Theatre chose a contemporary Canadian play limited neither by its time nor its place. Rather, The Harrowing is one of those no-frills political thrillers that could just as easily be about Jesus as about Maziar Bahari or a dystopian hero of the future. Designer/AD Justin Büyüközer embraces […]
At the Papermill Theatre last week, the East Side Players premiered one of the most ambitious and beautiful works in the Canadian theatrical canon- Timothy Findley’s Elizabeth Rex. The complex hypothetical places the “virgin” Queen rather outlandishly in the barn where Shakespeare’s troupe The Lord Chamberlain’s men are lodging after performing Much Ado About Nothing […]