The strongest all-round cast of the Shaw season so far is about 70% of the reason that When We Are Married really works. Then there’s the 20% that comes down to the charming and insightful material itself (JB Priestley’s text is not groundbreaking but it is intimate, funny and sweet without being silly, which is […]
Be sure to check out Part 1, Part 3 and our Full Listing of SummerWorks 2014 reviews. New This Year: The My Theatre Favourite Discount If your Fringe or SummerWorks show scores an A+ or A, you can cash in on that goodwill with a 50% discount on advertising your next show on My Entertainment World. If you […]
Brian Friel’s Translations is a tough code to crack. The 1980 three-act play by the Irish playwright is a piece about language, and while it has many other themes and ideas, it’s ultimately about how we communicate. However, Friel communicates in such heavy-handed tones that you can’t help feeling like you’re a child listening to […]
Me and My Girl at Reagle Music Theatre of Greater Boston in Waltham is a whimsical look at the by-gone days of lords and ladies, titles and toddies, coats of arms and family crests. Underneath the silliness of the plot, Reagle Music Theatre’s impressive cast finds heart in loyalty, love, and lots of laughter. While […]
Be sure to check out Part 2, Part 3 and our Full Listing of SummerWorks 2014 reviews. New This Year: The My Theatre Favourite Discount If your Fringe or SummerWorks show scores an A+ or A, you can cash in on that goodwill with a 50% discount on advertising your next show on My Entertainment World. If you scored an A- […]
I don’t think we talk about Kate Hennig enough (related note: I saw her understudy in both Stratford shows last year and was thus Hennig-starved in 2013), so let’s talk about Kate Hennig a bit, shall we? In the Shaw Festival’s lunchtime show, A Lovely Sunday for Creve Coeur, four musical theatre actresses take on […]
Juno and the Paycock suffers from a simultaneous case of too much plot and too little, issues that do, counterintuitive though it may be, go hand in hand. Upon reading Belfast-raised Jackie Maxwell’s director’s note, I was intrigued by playwright Sean O’Casey’s Irish civil war drama. Unfortunately, the moments of war-torn tension and aching loss […]