I’ve been thinking about this for a few days now. At first I really didn’t like playwright Philip Ridley’s take on the dystopian future, and that prevented me from particularly liking Seven Siblings’ production of the text, currently playing at Unit 102 Theatre. When Cameron Laurie’s Elliot enters with his goofy brother Darren (Andrew Markowiak) […]
Inner Monologue: “Do not talk about how period costumes and British accents on a proscenium stage is so boring and standard and Shaw Festival-y that you want to scream. Don’t talk about that, Kelly. Just move on, choose not to care this year, choose to get over it. Focus on the amusing captions that director […]
Recently, I had occasion to see the pre-Broadway production of Bill Condon’s new revival of Side Show the Musical at the Kennedy Center in Washington, D.C. With the recent announcement that it will be officially transferring to the St. James this fall, I thought it might be a good time to share a few thoughts […]
To this point, I have successfully avoided all local production of Les Mis. When the right to perform the mega-hit musical became available last summer, some ten producing organizations within 20 miles of Boston snatched them up for the 2013-2014 season, and despite my distaste for this choice as a producer and local artist, Company […]
I’m a fan of weird shit. Honestly. I love when artists can take the strangest, quirkiest little spaces, mount engaging, innovative, and bizarre work, and somehow connect with their audience through their own unique voice. Astro Boy and the God of Comics at Company One was (almost) everything that I wanted it to be and […]
Carrie: The Musical has an awful book; there, I said it. Lawrence D. Cohen took every piece of camp from Stephen King’s popular novel, and removed almost all of the humanity from the characters to create a one-note musical of epic proportions. The SpeakEasy Stage Company attempts to amend this broken musical, but, under the […]
This was an interesting Stratford season because, overall, it felt like one of the weakest in awhile (three dull Shakespeare productions, a dud musical and a handful of uninspiring plays- something went seriously wrong this year). But it also contained my favourite production to come out of the festival since 2011 (Chris Abraham’s joy of […]
Canadian Stage’s annual Shakespeare in High Park (formerly known as Dream in High Park but apparently that was too confusing) is always fun for its picnic-under-the-stars tone, even if the plays are bad. Which is important, because this year’s productions aren’t exactly good. Neither is a complete loss- both Titus Andronicus and the slightly more […]