Sextet (Tarragon) This new theatrical dramedy from Morris Panych is a six-person character piece that plays out almost in real time between three motel rooms occupied by a string sextet on tour during a snow storm. It’s emotionally complex but conceptually simple, a combination that pretty much always reaps great rewards, particularly with a cast […]
The new National Ballet of Canada season has begun with the emotional gutpunch that is Manon. My intention was to review that production- the knockout leading performance from Jillian Vanstone and scene-stealing guest turn by American Ballet Theatre’s James Whiteside (whom I’d really like to see the National steal); the brutality of the choreography and […]
I’m always curious when people choose to adapt a work from another source. I wonder what they’ll choose to highlight from the original work, or what theme they’ll decide to expand upon. I love adaptations for this reason. But even after much thought and reflection, I’m still not sure why Andrew Barbato chose to adapt […]
Seeing that I was in a festive upbeat mood, it being my birthday and all, I decided to forget how many figurative candles were on my cake and I took my somewhat conservative wife and theater-savvy teen daughter to see Avenue Q at Arlington Friends of the Drama (“AFD”) Theatre. We were treated to a […]
The history of Shakespeare Bash’d, up to and including their current production of Macbeth at the Monarch Tavern, reveals a pattern of wonderful comedy and middling tragedy. Some of this has to do with the Fringe Festival comedies being shorter and more fun, enlivened by the festival environment. But, mostly, I think it comes down […]
Good solo shows are undeniably impressive. It takes a lot of energy, storytelling skill, and presence for one actor to capture and maintain an audience’s attention. That said, Bob Brader has all of those qualities (and then some) in his one-man show Spitting in the Face of the Devil, which I saw at the United […]
Hart House’s Tempest, which runs until November 22, was certainly big on ambition. While there were moments of brilliance here, they often came too few and far between. The ensemble of nymphs, expertly choreographed by Ashleigh Powell, executed coherent and well-rounded physical and vocal performances. The Troupe of white-clothed and white-powdered spirits (compliments of […]
Australian acrobatic company Circa has livened CanStage with a refreshingly new and desperately needed contemporary circus show. Opus is 75 non-stop minutes of circus feats, but also shows the audience a new side of modern circus. It was a difficult transition, it seemed, for many patrons to adjust their pre-show anticipation into respectful awe and […]