The Summerworks Festival is my one big regret of the summer, theatre-wise. After a disappointing Fringe, I was really looking forward to the juried, uniquely Torontonian festival. The lineup looked pretty good and I had my press pass all lined up but I simply dropped the ball. I saw only 6 productions over the course […]

I left Ajax – the play at Summerworks, not the place – hardly able to speak, let alone know what to think or feel.  The play aims at shocking audiences by providing them with a raw kind of truth that so often does not accompany discussions on sexuality and violence.  It attempts to hold up a […]

 

Heads up, the first part of this article will be about Urinetown itself. I’ll tackle the production later on. Don’t take the opinions in the first part as a reflection of my feelings on the generally good Stageworks show. If you want to read only the review, it starts by the production photo so just […]

As directed by Laszlo Marton and featuring the Academy members alongside Soulpepper vets, The Royal Comedians is fine. It’s nowhere near the company’s best work but it has some moments of greatness. Bulgakov’s text is not unlike the production’s repertory fellow The Crucible in that it’s a historical parallel to the author’s contemporary struggles. In Albert […]

The summer air has begun to cool down, but With Somebody Who Loves Me, an independent production by Manzo Entertainment, is heating up the Tarragon.  A shortened version of the dance spectacle just completed a successful run at this year’s Toronto Fringe Festival, where the cast of eight dancers played to packed and enthusiastic houses […]

 

Arthur Miller wrote The Crucible in response to McCarthyism in the 1940s-50s, and it is appropriately infuriating. Responding to the communist witch hunt that was targeting writers like himself, Miller wrote a piece that would become one of the most widely produced American plays in history, about an actual witch hunt. He uses the 1692 […]

It drags in a middle but The Sunshine Boys is the best comedy Soulpepper’s done since they last did Neil Simon (in last season’s The Odd Couple). Simon is hilarious, with a wonderfully human touch of sadness, and the seasoned, naturalistic Soulpepper company fits perfectly with his style. Ted Dykstra smartly doesn’t add too much […]

 

I’ve always liked Humber River Shakespeare, mostly because I always like Shakespeare- anywhere, in any form, by any company- but their 2012 Macbeth is by far the best thing I’ve ever seen from them. It helps that I attended their very first (and only, this season) show at Casa Loma. A relatively bare-bones company, Humber […]