I don’t like electronic music. You can call it house, electronica, dance, synth, trance, or whatever else you want. The point is, it’s just never been something that appeals to me. As a result, when somebody brings up Daft Punk, the two things the pop up in my head are a cartoon music video with […]

Two of the best productions currently running on Toronto stages share the unique bond of being ballsy enough to tell a beloved play’s story from a different angle. A practice that’s inescapably commonplace on television and often even in film and literature, the spinoff is far from a regular occurrence in theatre. The most famous one is […]

 

I am not the person to talk about Necessary Angel’s current production of 4.48 Psychosis. Abstract, poetry-driven contemporary theatre is not my cup of tea to begin with, but more than anything I say I’m not the person for this task because 4.48 Psychosis is a deeply personal piece about a woman whom I never […]

Warning.  Both this show and this review are heavily experiential. I was just thinking the other day how much I miss those long gone days of university productions that were staged professionally, but with the much-needed energy and liveliness that fresh and ambitious minds can bring to live theatre.  I’ve been a bit bored lately, […]

 

First Act Productions is a young company full of energy, abandon, and a surprising number of strong voices, perfectly suited to a production of Hair with all of its go-for-broke exuberance and and ensemble focus. In fact, for a relatively small startup company featuring mostly students and recent grads, it’s actually remarkable how excellent an […]

 

Say you’ve just started dating this really fun new person. You like them, you want them to think you’re fun and interesting and connected to all the cool things there are to do in the greatest city in the world- Toronto, obviously- but you’ve already taken them to Snakes & Lattes and now you’re out […]

 

Mirvish’s Wizard of Oz is exactly what all of us mildly jaded theatre-saturated critics thought it was going to be- commercial nonsense. I’m a pretty populist theatre patron- I don’t need everything to be high art (in fact I don’t want it to be); I appreciate comforting, entertaining and linear shows that don’t hurt your […]

This show has led me to realize that “falling” in love is a rather ominous term.  It appears that relationships are doomed from the beginning, especially ones that have started off as a coup de feu: too intense to really survive their original spark.  It seems like this is the case between Anabel (Julia Lederer) […]