Rob van Meenen’s Repetitive Strain Injury chronicles the meeting and relationships of five young(ish) strangers. In Act One, Julie and David are preparing for their wedding. David’s best man and womanizer Guy has a fling with Candace, whom he picks up at a bar. And Julie meets Pia, a sage-like telemarketer, over the phone. And then […]
Theatre Columbus’s Weather the Weather or how we make it home together is a good-natured evening full of holiday spirit in the Brickworks. This uniquely Canadian story of homecoming and magic is served cold and garnished with exaggerated, amusing performances across the board. The audience spends the duration of the play following the action around […]
Chris Tsujiuchi and The Chris-terical Cabaret Crew are back for their annual Christmas festivities at Buddies in Bad Times this weekend. They’ve brought a lot of old material with them (and the departure of mainstay Vaughn Harris is sadly felt), but they’ve also got the strongest group of instrumentalists they’ve ever had… and a gospel choir. There’s one show […]
Increasingly, some of the most solid theatre on the Toronto scene has come from companies you could classify as “Indie 2.0” (technically an Equity term but one I’ve decided to allocate a bit more freely). These are companies that operate along indie lines, with small-ish budgets and casts, but use union artists. The effect is […]
I have no idea who Robert Lepage is. Shame on me. Well, I haven’t been all too familiar with any of the directors whose work I’ve discussed for this website – some famous, others not. It’s clear that my background is not in theatre. Lacking a refined perspective, I once again assert the minor (but […]
Walking into Baro Theatre’s opening night production of Danny And The Deep Blue Sea on Saturday night felt more like walking into an underground, bare-knuckle boxing match than into a theatre. The concrete floors, exposed pipe and fore stage, red-lit bar gave the theatre its gritty feel. Director Aaron Willis and his production team didn’t […]
When I first spoke to Red Light District Artistic Director Ted Witzel in preparation for his 2010 production of Woyzeck, three things stood out to me. The first was his obvious intelligence and sense of artistic adventure- he’s a jumble of 8-syllable words and avant-garde German theatrical philosophy. The second was a heightened social conscience- […]
Choreographer Jose Navas is the clear winner of Innovation-Off 2013, the National Ballet of Canada’s 4-piece showcase of new work (actual title: just Innovation). Navas’s Benjamin Britten-scored ensemble piece Watershed is up first in the lineup and packs the biggest artistic punch. The 20-minute collaboration between creator and dancers is full of invention and beautiful […]