The use of white makeup as a base for exaggerated features has become a fairly standard practice in productions with a sense of heightened reality. This month in Toronto there are three shows all making use of the convention, albeit in wildly different ways. Trudeau & Levesque Their distinctive makeup is arguably the most defining […]
Created by Why Not Theatre, The RISER Project is a new initiative that pairs established companies with emerging artists to share resources and make producing indie theatre just a little bit easier. The inaugural RISER season is taking place at The Theatre Centre with two shows already wrapped and another two currently on stage. Paolozzapedia […]
As I walked out of Ballad of the Burning Star Tuesday night at the Theatre Centre, I ran into a friend walking into another show (Burnish, I believe). When he asked what Ballad was about, I said, with a kind of syncopated energy: “well, it’s a devised theatre piece, but it’s also very movement based, like […]
The latest indie company to take the stage at the Storefront Theatre is the excellently named Severely Jazzed, headed by improvisers Tess Degenstein and Hannah Spear. We spoke to Tess and Hannah about their inaugural production Trout Stanley which hits Bloor West this Thursday. Tell us about Severely Jazzed Productions and how the company got […]
Playwright Stephen Adly Guirgis’ bold dismantling of the betrayal of Jesus envisions a purgatorial world known as “Hope” where even the most easily damnable deserve consideration and possibly even salvation. It’s a hugely ambitious play with a massive cast of characters- gods and saints and devils, icons and angels and people- an anachronistic allegory that […]
For 7 performances May 20-24, the Helen Gardiner Phelan Playhouse will play host to the inaugural presentation from Martha Rose Productions Inc., the latest addition to Toronto’s indie theatre community. The chosen text- the Canadian premiere of Neil LaBute’s Miss Julie, an adaptation of August Strindberg’s 1888 naturalistic masterpiece relocated to Long Island in the […]
Dennis Potter’s Brimstone and Treacle was considered controversial when it was first written in 1976. Much has changed in the past 40 years, and yet this is still a controversial play in terms of its depiction of sexual violence and the performance of disability. As such, the question why stage this play was at the […]
Umnikelo (Offering)
The opening night of Luyanda Sidiya’s double-bill performances of Umnikelo and Dominion was dedicated to putting an end to xenophobic violence…