Medea (Canadian Opera Company) Set to a broody and demanding score by Luigi Cherubini with Carlo Zangarini’s Italian libretto translation, the COC’s ambitious new co-pro mines Euripides’ iconic tragedy for every ounce of its delicious melodrama and winningly rejects pressure to impose important modern meaning upon the disturbing tale. A twist ending that sees the […]
AI is a hot topic in contemporary theatre, but writers often stumble by relying heavily on dystopian motifs or portraying AI unrealistically as a mystical, all-knowing force. In his debut play Artificially Yours, Aaron Thakar (who also stars) avoids these pitfalls by grounding the story in a recognisable near-future, incorporating existing technological norms, and adopting a […]
After Tuesday’s performance of Mad Madge at The Theatre Centre, producer (in associaton with VideoCabaret) Nightwood Theatre organized a panel of theatre-makers to discuss the trend of fictionalized history on stage (or, put another way, an examination of coincidental aesthetic consistency in the Rose Napoli extended universe). The texts up for discussion were Kat Sandler‘s […]
Frank’s Closet may not have aspired to be groundbreaking, with its simplistic ‘music hall musical’ concept, but it is a fun, kitschy little show that became a cult classic in 2009 when it opened at Hoxton Hall. Fifteen years later, its revival at the Union Theatre feels less daring – its campness no longer that camp […]
Three Sisters (Soulpepper & Obsidian Theatre Company) For Inua Ellams’ adaptation of Three Sisters set during the Nigerian Civil War, two of Toronto’s most prestigious theatre companies and acclaimed director Mumbi Tindyebwa Otu (also the Artistic Director of Obsidian, one of said prestigious companies) have assembled the all-starriest of all-star casts, bringing together an incredibly […]
The word “ambitious” has become nearly synonymous with Shifting Ground Collective, a small company barely two years into its existence but already more established and productive than a lot of indie companies ever become. Everyone who runs Shifting Ground is young and hopeful, their clear eyes and full hearts guiding them headfirst into the hazardous […]
Don Giovanni (Canadian Opera Company at the Four Seasons Centre) The COC’s new production of Don Giovanni replaces a much more casual, modern version that I loved but few others seemed to. In its place is a more conventional take with period costumes and the hulking cube set from Fidelio repurposed with doors in place […]
Slava’s SnowShow (Show One Productions at The Elgin Theatre) There’s something really special about a production that can transcend age, language, and cultural barriers, uniting audiences around the world and even diverse audiences in a single location with a memorable theatrical experience understood completely by everyone in the room. Slava’s SnowShow is absolutely that. A […]