After taking a “Music Through the Ages” class on Onegin with Clayton Scott last summer, I knew I’d be kicking myself if I didn’t see one of the National Ballet’s only eight performances of the ballet this June. Onegin is an extremely rarely performed piece, licensed to only a handful of companies around the world […]
Urban Bard is unlike any company I’ve ever seen. It is exactly what its name suggests, urban bard, nothing more or less. This season’s contrasting productions of the uber popular Twelfth Night and the sadly obscure Two Noble Kinsmen are innovative to the point where I was literally giggling in delight at every scene change. […]
The Red Light District Theatre Company is just a little bit crazy. As the tagline for their most recent production, Woyzeck, says, the company stands “just over the little dash between yes and no”. From their bum fight-inspired Titus to “the play about dancing robots and communists” to this run of Woyzeck, The RLD is […]
Perhaps the greatest thing about the production of The Glass Menagerie that I saw last week was the company behind the production. Cawrk Theatrical Productions, founded by Catherine Bernardi and Matthew Yipchuck, was invented as a creative outlet during the transitioning years while the young artistic directors left behind Cawthra Park Secondary School and moved […]
The Last Five Years is one of my favourite things ever written for the stage. In it, composer Jason Robert Brown shares a uniquely personal story of the 5 year relationship between him and his wife that ended in broken vows, a broken marriage and broken hearts. Standing in for their real life counterparts are […]