Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. The last time the consistent, versatile and always delightful Mike Nadajewski was nominated for a MyTheatre Award it was for playing a religious figure in a musical. This time he’s nominated as a scientific figure in […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. There are three actors nominated for playwriting this year (also known as playwrights nominated for acting), including the always brilliant Gord Rand who joins the Nominee Interview Series for a third time to talk about his Outstanding Actor-nominated […]
There’s something of a false hierarchical narrative around Shakespeare performance that suggests the grander the stage, the stronger the performer, the mecca that is the Stratford festival theatre serving as the (Canadian) pinnacle where only the best of the best are allowed to tread the boards. If you’re somehow unconvinced that this narrative is nonsense, […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. One of the definitive leading men in Canadian theatre at the moment, the prolific Evan Buliung has been a part of many of our favourite productions since MyTheatre first began. Under the guise of discussing his 2015 MyTheatre […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. In one of the Stratford Festival’s biggest all-star casts, 2nd year company member Karack Osborn completely stole the show as the irrepressible Tony Lumpkin in director Martha Henry’s take on classic comedy She Stoops to Conquer. The Best […]
Warning: this is a bad one. I encourage you to just not contemplate going to see Carousel. Read my reviews (and see the productions) of Sound of Music, Oedipus Rex, Love’s Labour’s Lost or (ideally) The Last Wife instead. Is this the single most ridiculously terrible production I’ve reviewed on any stage at any budget […]
In his director’s note for The Alchemist, Stratford Artistic Director Antoni Cimolino makes a preemptive strike against the argument that he should have set the early seventeenth century play in “our own era”, saying that it adds “a needless layer of complexity to an already challenging text”. Intriguing defensiveness aside, the problem with this statement […]
I have a theory about the (arguably, I guess) three most important theatre companies in Ontario. In any given season, if one of the three companies is under-performing (as one inevitably is), the others raise their game (to compensate? compete? rub it in their face? who knows). They seem to rotate- in a superb Soulpepper […]