Be sure to check out Part 2, Part 3 and our Full Listing of SummerWorks 2014 reviews. New This Year: The My Theatre Favourite Discount If your Fringe or SummerWorks show scores an A+ or A, you can cash in on that goodwill with a 50% discount on advertising your next show on My Entertainment World. If you scored an A- […]
August is here, the weather in Toronto has finally started to catch up to the calendar, and the line outside Bang Bang refuses to die down; it’s officially time for SummerWorks. Made dramatically less awesome this year by the loss of the performance bar but revelling in the convenience and beauty of the new Theatre […]
Before we announce the winners of the 2013 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. Quite possibly the best thing about having a summer peppered with indie theatre festivals is that the chances of discovering a great new playwright are a lot higher than they otherwise would be. For me, that meant […]
Before we announce the winners of the 2013 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. Contributing author Tessa and I have a favourite pastime of picking out emerging artists in undeservedly small roles on our annual trips to The Stratford Festival. A few years back, our top pick was an impossibly handsome […]
After seeing a total of seven productions at this years SummerWorks theatre festival in Toronto, I decided to grade my reactions on an ascending scale. This began with two shows that somehow either went over my head or never really near it at all: Show and Tell Alexander Bell and Entitlement in Part 1, followed […]
Onwards and upwards I go along the string of shows I encountered at this year’s SummerWorks theatre festival in Toronto. I’m now in the middle section of my crescendo of impressions on the seven different shows I witnessed. I certainly didn’t soft-pedal my thoughts about the plays that impressed the least, as featured in Part […]
How to Disappear Completely was the second best thing I saw at SummerWorks this year (after Wild Dogs on the Moscow Trains). I loved it. It was everything I wished some of the other shows had been- personal, truthful, and funny without losing its sense of tragedy. Itai Erdal is the rare theatre creator able […]
It comes as a relief to know that there is careful curation behind SummerWorks’ programming. Aside from modest ticket prices, it is even more encouraging to feel as though you’re in good hands. There is always something gambled when attending either Luminato or Fringe: your money with the former and your time with latter. Each […]