I think someone should start prescribing a night at the theatre for patients who complain of drowsiness, stress, mild depression or self importance. Not just any night at the theatre, I don’t think Endgame would help, but something like Alligator Pie– a piece so brimming with light, happiness and creativity that one can’t help leaving […]
Death of a Salesman is exactly the sort of piece that Soulpepper does brilliantly- intimate, personal, actor-driven, and a modern classic. The tight-knit company always fares well with family stories and any time you can cast the first couple of Soulpepper- Joseph Ziegler and Nancy Palk- as the parents at the centre of things, it’s […]
As directed by Laszlo Marton and featuring the Academy members alongside Soulpepper vets, The Royal Comedians is fine. It’s nowhere near the company’s best work but it has some moments of greatness. Bulgakov’s text is not unlike the production’s repertory fellow The Crucible in that it’s a historical parallel to the author’s contemporary struggles. In Albert […]
Arthur Miller wrote The Crucible in response to McCarthyism in the 1940s-50s, and it is appropriately infuriating. Responding to the communist witch hunt that was targeting writers like himself, Miller wrote a piece that would become one of the most widely produced American plays in history, about an actual witch hunt. He uses the 1692 […]
It drags in a middle but The Sunshine Boys is the best comedy Soulpepper’s done since they last did Neil Simon (in last season’s The Odd Couple). Simon is hilarious, with a wonderfully human touch of sadness, and the seasoned, naturalistic Soulpepper company fits perfectly with his style. Ted Dykstra smartly doesn’t add too much […]
Mamet is a fantastic playwright; one of my favourites. His work is dark and invasive but also incredibly funny. In the right hands, Mamet can be extraordinary to watch or, rather, listen to. He writes in incomplete thoughts, long-winded musings, and abrupt expletives- essentially, he writes how we talk. At least the fast-talkers, he writes […]