Every once in a while, in the middle of writing a review, we’ll be overcome with a feeling of déjà vu. Whether it’s the Sorkin loyalty on our TV branch or My Cinema’s longstanding affection for Soderbergh, sometimes we find ourselves praising a single artist so much that we start to worry about sounding objective. […]
Joe Orton’s black comedy Entertaining Mr. Sloane is a strange but compelling piece of theatre. It slyly speaks (in a strong cockney accent) to the fragility of our moral character while presenting us with people who reach very extreme conclusions. There’s an absurdist bent to the dark realities within these flawed human beings but the […]
The two most recent productions in Soulpepper’s 2013 season have been lively re-interpretations of texts that can only be described as classics. The first, Michael O’Brien and John Millard’s anachronistic take on Rossini’s The Barber of Seville, was a goofy romp-like good time and little more. The sublime pleasure of having the great Dan Chameroy […]
New Yorkers can say what they want (and frequently do), but Toronto is the best city on the planet. If you are tragic and don’t know this for yourself, then you should know because I tell you All The Time. To prove it yet again, I’ve been sampling the theatre scene for you this month- […]
Before we announce the winners of the 2012 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. A 50+ play veteran of the Soulpepper stage, Oliver Dennis has become a beloved fixture in the best of Toronto theatre. Also known to Slings & Arrows fans as the lovable understudy Jerry, Oliver topped his fantastic 2011 (for which he […]
Two of the best productions currently running on Toronto stages share the unique bond of being ballsy enough to tell a beloved play’s story from a different angle. A practice that’s inescapably commonplace on television and often even in film and literature, the spinoff is far from a regular occurrence in theatre. The most famous one is […]
I generally go to Soulpepper openings alone but I was out of town when A Christmas Carol opened, so I had the pleasure of getting to bring my mother to an everyday evening performance of the biennial remount. I like to talk, in case you haven’t noticed, so I relish getting to explain things like how […]
I went into Soulpepper’s recent production of Endgame hoping for the best. They’re my favourite company in the world and have managed to turn me around on more than a few texts I was sure were overrated until I saw them tackled by the flawless acting company at Soulpepper. The folks down at The Young […]