Ranking: #3 A lot of people consider Shakespeare’s early revenge tragedy trashy, vulgar, somehow incomplete and most certainly inferior (to the bard’s more “sophisticated” later works like Hamlet). But some of the smartest directors I’ve ever met are convinced there’s a certain darkly comic genius to it. That seems to be the trick with the grotesquely […]
Ranking: #7 Take a look at that promotional photo- doesn’t that look like a kickass Richard III? Unfussily sexually ambiguous, surrounded by attack dogs and draped cockily on a throne that’s not hers- I really think that should have been Seana McKenna’s Richard III. I mean look at those boots! Who needs a penis when […]
Ranking: #9 The Merry Wives of Windsor is not a particularly great play on its own merits. It’s a silly “one more time, just for the financial benefit” retreading of beloved characters from superior plays (most notably, Henry IV’s breakout star Falstaff). It can be amusing, I would imagine, if staged innovatively with the unhelpfully […]
One of the best productions at the Stratford Shakespeare Festival this year is the gruesome early revenge tragedy Titus Andronicus. Director Darko Tresnjak’s enthralling production features strong performances from the likes of Amanda Lisman, John Vickery and Bruce Godfree. But much of the play’s success rests on the shoulders of one of my favourite actors, […]
Even if you’re not a bard lover, this video by impressionist Jim Meskimen, featuring Clarence’s speech from Richard III, is a load of laughs and crazy impressive. Check it out.
My love for Urban Bard Productions has been well documented on this site. So, naturally, I was incredibly excited to see what director Scott Moyle has come up with for the uber popular and oft-insane comedy A Midsummer Night’s Dream. The first thing to note when going to see Urban Bard’s Dream is that […]
Propeller Shakespeare Company, performing through June 19th at the Huntington Theatre in Boston, is a damn cool company. This UK group’s respect for the text, their return to basic themes and their bold all-male casting make them somewhat traditional in their approach to Shakespeare. But then there’s masks and shiny suits and sombreros and heads […]
I love The Actors’ Shakespeare Project, I really do, but this will prove a very short review because I far from loved their Antony & Cleopatra (playing until May 21st at The Modern Theatre). I could write for hours about Adrianne Krtansky’s clunky direction, the snail-like pacing and strange focus. I could complain loudly about […]