The history of Shakespeare Bash’d, up to and including their current production of Macbeth at the Monarch Tavern, reveals a pattern of wonderful comedy and middling tragedy. Some of this has to do with the Fringe Festival comedies being shorter and more fun, enlivened by the festival environment. But, mostly, I think it comes down […]
Hart House’s Tempest, which runs until November 22, was certainly big on ambition. While there were moments of brilliance here, they often came too few and far between. The ensemble of nymphs, expertly choreographed by Ashleigh Powell, executed coherent and well-rounded physical and vocal performances. The Troupe of white-clothed and white-powdered spirits (compliments of […]
Two strong but ultimately uninspiring productions are currently playing at the Four Seasons Centre as the kick off to the Canadian Opera Company’s 2014/15 season. Though they’re of comparable overall quality, Falstaff and Madama Butterfly have little in common. The former is visually grand with lots of awkwardly long breaks to change the elaborate sets […]
Tom Stoppard’s brilliant play was part of Theatre@First’s 10th anniversary. This was only the second play I’ve seen by Theatre@First, but so far I’m not impressed (I wasn’t formally reviewing the other production so it can live on in nameless infamy). Now, it’s not the company’s fault that I wasn’t impressed, they did nothing explicitly […]
Don’t screw around with Shakespeare…unless you can make it hella-entertaining. This was the thought that pulsed in my mind as I watched the Actors’ Shakespeare Project’s production of Comedy of Errors, directed by David R. Gammons. I was both excited and apprehensive about this show due to my own shifting views on one of Shakespeare’s […]
In the middle of Dedham, Massachusetts, a new theatre company spread its wings with a production of Shakespeare’s As You Like It. This production choice was the perfect summer treat and an excellent decision for the young and growing Dragonfly Theater. With strong female leads and plenty of supporting ensemble roles, As You Like It […]
Shakespeare’s A Midsummer Night’s Dream is a wonderfully accessible play, made for adaptations to different times and places with ease. The Hyperion Shakespeare Company and The Office for the Arts at Harvard presented their own adaptation of William Shakespeare’s A Midsummer Night’s Dream with some talent and some reckless abandon befitting the play’s mastery. The […]
Technically, I can’t review Boston University Shakespeare Society’s Winter’s Tale by William Shakespeare. Former My Theatre (Boston) writer Elizabeth Ramirez directed, and Junior Editor Fabiana Cabral played King Leontes. I have to create boundaries for conflict of interests, and this is one of them. However, read on to hear a bit more about this rarely-produced […]