Click Here for the Full List of our 2015 Toronto Fringe Reviews Hanger (A) Hilary McCormack is a wonderful actress- subtle, emotive, engaging and strong (further evidence of this can be found just one paragraph down). Unfortunately, Hilary McCormack is working in an industry and a time where there is not yet a suitably rich […]

 

With so many productions to see (and some of our staffers headed out of town to cover San Diego Comic-Con), we’ve brought on extra help this year to review more Toronto Fringe Festival shows than ever. Over 10 days, 7 critics will be tackling nearly 100 productions. Check out the full list below. The My […]

 

There’s a reason my precocious 14-year-old cousin Reagan rolls her eyes when I try to tell her about her badass Shakespearean namesake. Shakespeare’s boring, people. It’s dated (in the case of Taming of the Shrew, offensively so) and irrelevant and sort of hard to follow. Why would I go see Hamlet when I can see […]

Cawrk Theatrical Productions is back with their first production in five years. Last seen directing and starring in the company’s My Theatre Award-nominated production of The Glass Menagerie, Cawrk founding members Matthew Yipchuck and Cat Bernardi have moved on as artists and become specialists in different fields. For the company’s return to the Toronto stage, they’ve smartly […]

 

Mad world, mad kings, mad composition, mad play. King John, as a text, is a mess. The plot casually advances from war to marriage to war and then to death in a literary frenzy. The king is barely a character for most of it (Falconbridge seems to be given the most to say) and we […]

Bridge Repertory Theater lured audiences into a small hall at the Stanford Calderwood Pavilion to revive a classic story of political conspiracy and personal betrayal. Their distilled production of Shakespeare’s Julius Caesar, directed by Olivia D’Ambrosio, captured the essence of the play while (mostly) avoiding gimmicks. The result was a fleet and energetic show packed […]

Anthony Doerr’s All the Light We Cannot See Book one is this month’s selection for BU’s Core Curriculum alumni book club. We chose the book because we needed a pick that was fast and pleasurable, yet wouldn’t skimp on substance or intelligence. Doerr’s book is the winner of the Pulitzer Prize in Fiction, was a […]

M’dea Undone (Tapestry Opera)  This world premiere one-act opera from Tapestry is smart and character-driven with a cleverly modern libretto by Marjorie Chan and superb performances from its 7-person cast, including Jacqueline Woodley as a refreshingly savvy and complex Dahlia and the brilliant Lauren Segal in the title role of the scorned wife of aspirational […]