Conceived, adapted, and directed by Daryl Cloran originally for Vancouver’s Bard on the Beach, this joyful and zany adaptation of As You Like It uses the Beatles’ sprawling songbook to sculpt Shakespeare’s “play with music” into a full tilt musical. Currently onstage at the Grand Theatre in London, the imperfect but polished production is a […]
Despite the Assembly Theatre’s proscenium setup and the show’s relatively conservative (though definitely present, fair warning) use of audience participation, 13 Plays About ADHD All At the Same Time is an immersive experience. The first work in a long time from one of the city’s most interesting creative minds, 13 Plays is writer/director Alec Toller’s […]
Coming off of last year’s superb 4-0 record for their Shakespeare work, Stratford’s 2024 season is quite a bit shakier. There are only three Shakespeare plays on the docket this year and it’s clear that they’re where the company is hoping to spare a few dollars on design as they all feature far less in […]
The 2023 Stratford season was our first full summer back at Canada’s biggest repertory company since 2018. After the bittersweet strangeness of the 2021 outdoor season and missing a bunch of last year’s late openers, it was a pleasure to return to a full Stratford schedule no matter how the productions themselves shaped up. So […]
This week at Kew Gardens Park, Toronto Shakespeare fans said farewell to one of the city’s summer theatre institutions. Technically ending tonight with their tour’s final stop in Burlington, Driftwood Theatre’s “Final Bard’s Bus Tour” features not their usual adaptation of a Shakespeare text but an original 90-minute one-man-show wherein the company’s founder tells his […]
During the COVID-19 lockdowns, to deal with isolation and lack of live theatre, we started gathering some of our favourite people every Tuesday & Saturday night to read scripts over Zoom. We read all 38 Shakespeare plays in six months. Then we kept going. We decided to create mini-seasons featuring highlights from the canons of […]
I love the concept behind Soulpepper’s bold Lear Family Double Bill that pairs a very solid production of Shakespeare’s King Lear with a new play by Erin Shields that imagines what might have happened seven years earlier to inform the behaviour of the characters in King Lear. Shields’ play Queen Goneril focuses not just on […]
Renaissance Now Theatre & Film delivers a capable production of Macbeth thanks to its strong supporting cast and inventive staging; however, the potential of a “Redux” remains underdeveloped and its leads struggle to carry momentum. What starts as a fairly standard interpretation of Macbeth breaks wide open in Act 1, Scene 3: Angus (a […]