Lost and Found (A) What a better way to start my fringe binge than Marilla Wex’s Lost and Found. From the first moments of her honest and integral solo show, Wex performs with energy, consistent humour and a smile. I think I wrote down “absolutely charming” twice. It’s everything you want in a solo show: […]
The Centre of the Universe (B) The Centre of The Universe, staged between the taps and front windows of everybody’s favourite dive bar, “The Lab” is a gripping telling of the post-internet apocalypse. It builds steadily to its genuinely frightening and shocking climax on the shoulders of a couple of strong performances. Lea Russel and […]
Check out our Full List of Fringe reviews HERE and see below for my report from my first day of shows at the Toronto Fringe Festival. Tachycardia (C-) The first show on my Fringe schedule fell victim to that very Fringe-y problem of artistically indulgent accidental silliness. Nadine Bhabha and Joel Edmiston begin the play […]
You walk into the theatre. Plastic covers the walls on the stage. At first you don’t notice, but after a while you start see something projected there. A ribcage? “This isn’t your regular programing,” actor Cliff Cardinal tells us, as he walks on stage with a plastic bag duct taped over his head. “It takes […]
“What I love about dogs,” Denise Clarke mummers as she begins imitating a dog’s slow building tail-wag, “is that they can’t hide their emotions.” Despite the audience’s noticeable lack of tails, we all had trouble hiding our gleeful experience of wag, which opened this past Thursday as part of the Magnetic North Theatre Festival in […]
I am an actor. Since graduating from theatre school almost four years ago, I have also become (in order and to greater or lesser degrees) an acting coach, a director, a stage combat choreographer and teaching assistant, a producer, an adaptor, and finally, a writer. One of the joys of being a young Canadian actor […]
How to Disappear Completely was the second best thing I saw at SummerWorks this year (after Wild Dogs on the Moscow Trains). I loved it. It was everything I wished some of the other shows had been- personal, truthful, and funny without losing its sense of tragedy. Itai Erdal is the rare theatre creator able […]
Just one more, I promise. This is the last one. And I promise this one is nice. This one is really nice. Because this was the thing I liked. This was the Only thing I legitimately really liked over the course of the entire Fringe Festival without previously liking the company, the text, the director […]