Click Here for a full list of our 2022 Toronto Fringe reviews. Sleeping, Tucked in the lonely Purple (B+) Conceived and choreographed by Yvonne Ng, this tender three-hander is a lovely inquiry into what we don’t hear when we stop listening. The choreography is simple but evocative, performed beautifully by a trio whose dance […]
After two years of cancellations, a series of tentative theatre-ish offerings, and more than a few false starts, Toronto’s theatre companies are coming back. The journey towards a normal theatrical experience has taken place a little bit then seemingly all at once as my once-bare calendar suddenly doesn’t have a night off for weeks. Of […]
Workman Arts’ Rendezvous with Madness is one of the first festivals back on its feet since the Covid-19 lockdowns. After two years of fear and solitude, the mental health-focused event is an apropos re-beginning as many audience members slowly re-engage with the arts scene outside of their televisions. RWM this year is serving as […]
Three Tall Women It’s difficult to separate Stratford’s fine production of this enjoyable and alienating Edward Albee play from the experience of seeing it. A holdover from the cancelled 2020 season, Three Tall Women was the lone indoor performance in the Stratford 2021 season. It was staged in the intimate studio theatre with very little […]
I’m a firm believer that there is room for this kind of thing. I didn’t particularly like it, but I’ll defend its validity until I’m blue in the face because that’s how Shakespeare survives. For this co-production with Why Not Theatre, Stratford has cast 13-year-old Eponine Lee in the female title role. This raises […]
Toronto’s High Park is a theatre again. After only a few performances of socially isolated dance pieces last summer, Canadian Stage is back this season, not only filling their outdoor amphitheatre with its first real theatrical productions in two years but lending out the space to co-producers and collaborators for a season of programming that’s […]