Theatre Lab’s new musical comedy, currently onstage at the Factory Studio Theatre, can be summarized in one word: clever. The title- The Adventures of Tom Shadow- suggests a Peter Pan-type protagonist and a familiar tale of his far-flung adventures. The opening scene features the expected happy nuclear family at bedtime and, when the parents leave, Tom Shadow takes […]
Co-produced by Ahuri Theatre and Bad New Days, Flashing Lights is a story that explores the ways in which technology affects lives, and specifically our relationships. From the internet and the dissemination of information that it enables, to the screens we look at all day long, we are becoming – quite literally – cyborgs. The […]
Bathroom intimacy is a key part of any romantic relationship. Worst opening sentence ever? I stand by it only because Filament Incubator’s production of Becky Tanton’s How to Drown Gracefully is often just as upfront (if more elegant) about its characters’ entwined romantic and physical sufferings, and it sets the whole thing, even in scenes […]
Hedwig and the Angry Inch (Hart House Theatre) The saga of Hart House musicals is full of high highs and low lows as their success fluctuates wildly depending mostly, it seems, on the popularity of their chosen show. They don’t pay their performers so, in order to lure the right talent, they have to offer […]
I rewrote the title of this article about four times. I worry that the one I settled on is misleading- it sounds like an old timey newspaper headline declaring that the new production from Unit 102 Actor’s Company misses the mark- but everything else I came up with was a pun or just generally stupid […]
Sarah Marchand and Matt Jones have collaborated to write and create a theatre ASMR experience: the show incorporates elements of ASMR (in both performance and social media) while telling the story of a young woman battling insomnia and anxiety. If you haven’t heard of it, ASMR stands for Autonomous Sensory Meridian Response. It’s the soothing […]
I was really hard on the Stratford productions I didn’t like this year but it was actually a pretty strong season and the things that were good were Really good. This is them. Tartuffe Director Chris Abraham’s instinct to present classic texts in a contemporary setting is one of my top five favourite Chris […]