Take a look at our full list of 2019 Fringe reviews HERE. The Weight of It All (A-) Gillian Bartolucci’s latest solo piece plays out more like a one-woman sketch show than a straightforward narrative. With a captivating mix of exuberant energy and relatable exhaustion, Bartolucci jumps between characters, styles, gimmicks, and perspectives as she touches […]

I spent an amazingly mind-bending and eye-opening evening at the performance of The Black Drum at the Young Centre for the Performing Arts. Performed by the Deaf Culture Centre with a tight cast of ten, the show was intriguing, exciting, and such a wonderful way for Deaf Culture to flourish. After a lovely stroll through […]

Award-winning comedian Ian McIntyre blends the relatable and the absurd in his new revue, The Rise and Fall of Dataman, running for two nights at The Bad Dog Theatre. In a series of sketches, directed by Kirsten Rasmussen, he recounts life as a 9-5 paper pusher with an exuberance and expressiveness that contrast sharply with […]

After having some time to digest 1991, I don’t think it would be right to say I enjoyed it. Instead, I will say I was affected by it, moved by it and am haunted by it. 1991, is Cole Lewis’ brutally honest coming of age story. There are many intense subjects that this show deals […]

In all of the subway posters and other promotional material around the city, the producers of Four Chords and a Gun have placed this description front and centre: “A Play Followed By A Concert.” Which seems like a very odd presentation format, until you read the smaller disclaimer on the front of the program: “This […]

 

Tarragon’s new prison-set one-act from Charlotte Corbeil-Coleman thrives on the shoulders of an incredibly strong quartet of women and a compellingly twisty structure that races ahead and forces the audience to chase it. Corbeil-Coleman’s dialogue is quick, cutting, and refreshingly funny even as her play is pitch black. Director Richard Rose keeps the pace up […]

Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Sarena Parmar wrote Outstanding New Play nominee The Orchard (After Chekhov) based in part on her experience growing up on an orchard in British Columbia. The Cherry Orchard adaptation had its world premiere at the Shaw Festival […]

Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. One of the things that’s fun about the Nominee Interview Series is getting to revisit work from the very beginning of last year. It’s been fourteen months since my heart was stolen by Georgia Bennett’s Outstanding Leading […]