This is a very weird year in Stratford because most of the really good productions are musicals. North America’s most prominent Shakespeare company usually does fine musicals and great Shakespeare, but Pirates of Penzance and Wanderlust are two of the only highlights of this season (Charlie Brown is good, but not a standout). I was […]
First a story: My dad doesn’t like Charlie Brown; he finds him depressing, and this is an argument we have every December when it’s time to pull out the old tape of Christmas specials. I love Charlie Brown and the whole Peanuts world (especially Lucy!). If I had to pick a Christmas special to call […]
Stratford’s new musical commission is nothing short of delightful. As I expected. Robert Service (whose poems form the lyrics and whose story loosely inspired the piece) is a Canadian treasure, both populist and prolific, leaving us with the legendary Cremation of Sam McGee among so many others. Beloved director Morris Panych conceived the musical and […]
By now I’m sure you’ve read all about how great Ragtime is and may be expecting me to disagree. I’m not going to. In fact, I’m going to pile on. No hyperbole here, I promise… Ready? Okay: I have literally never seen one of the festivals (Shaw, Soulppeper, Stratford) pull off a musical nearly as […]
Heads up, the first part of this article will be about Urinetown itself. I’ll tackle the production later on. Don’t take the opinions in the first part as a reflection of my feelings on the generally good Stageworks show. If you want to read only the review, it starts by the production photo so just […]
The summer air has begun to cool down, but With Somebody Who Loves Me, an independent production by Manzo Entertainment, is heating up the Tarragon. A shortened version of the dance spectacle just completed a successful run at this year’s Toronto Fringe Festival, where the cast of eight dancers played to packed and enthusiastic houses […]
I haven’t seen the full season of Stratford Festival fare yet but The Pirates of Penzance is one of very few things so far that’s thrilled me. I loved it. I went in fond of but aware of the flaws in Gilbert & Sullivan’s work, and specifically the technical insanity of trying to stage Pirates. […]
When Leonard Bernstein’s one-act opera about a crumbling marriage in the 1950s suburbs premiered in 1952, I imagine it was pretty subversive and revealing. The idea of something so flawed yet so seemingly perfect is a fascinating, dark and specifically suburban concept that would have played as insightful and daring back when the suburbs were […]