A very well executed production of a unique and interesting new play, See What I Wanna See brings together three stories, with no clear ending to any of them, in an effort to show the importance of perception. While this doesn’t seem very clear, it is difficult to put this musical into words. Based on […]
Simon Stephens often writes plays that are difficult to perform. He will display a character through a pinhole rather than a window. It is therefore very much up to audience to find meaning in what he writes, albeit with assistance from a shrewd director and cast. One Minute is the story of an investigation into […]
A very well executed production of a unique and interesting new play, And Then Come the Nightjars is simultaneously funny, heart-breaking and eye-opening, and is a real credit to the writer, production team and cast. Centred on the Foot-and-mouth crisis of 2001 and how it affected a South Devon farm, the play tackles an issue […]
‘Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o’erweigh a whole theatre of others.’ Act III, Scene II Shakespeare summarises my feelings towards this latest attempt at Hamlet better than any else could; I […]
I am thankful to see a crime drama in a London theatre. It is a scarce genre that deserves to be on the stage more. It is smart to set Caught mostly in an interrogation room: it is a perfect place for intimate, subtle theatre. We see a detective pick apart the alibis of those […]
This show is the equivalent of guiltily checking your ex’s timeline on Facebook: it is not healthy, you learn nothing about how they really feel and it is ultimately a waste of time. McQueen is a self-congratulatory piece about a man who had probably had enough congratulations for a lifetime. While it maintains a great […]
A stylish revival of the musical that hit the West End and Broadway with a bang over a decade ago, this stripped down version of Thoroughly Modern Millie is largely successful in its interpretation of the much grander original but lacks the pizazz needed to pull off such a unique and iconic show. Those who […]
Today I am seated next to Leah Lawry-Johns and Eduard Lewis, who comprise part of the production team of Caught, the Pleasance Theatre’s latest show. Leah, while also writing the piece, is one of its actors in an all-female cast. Eduard, working entirely behind the scenes, is the play’s director. What is Caught about? L: Caught […]