A very stylish and smart production of an intriguing gem of a musical that first premiered in the National Theatre back in 2011, Sedos’ take on London Road overcomes an incredibly challenging book and score and creates something that is touching, funny, uncomfortable and thought-provoking. The premise surrounds the tragic murders of 5 prostitutes in […]
A mere 100 pages of source material. A gay narrator whose literary obsession with the heroine prompts a wariness in the reader. An elegant, peripatetic subject: Holly Golightly, characterised as much by secondhand as firsthand accounts; a restless waif whose eternal discomfort sees her cycling through a bevy of failed suitors. How to adapt this? […]
From the moment the audience walks into Trafalgar Studios, they know it will be a fun evening. A girl in funky clothing is dancing around the room to pop music and another is sitting and frantically looking at her computer. No one is quite sure what to expect, but the mood is set at the […]
It needs a dramatization. Caryl Churchill’s ten-minute piece seems a prelude to something bigger. FIsayo Akinade, Sharon D Clarke, Alex Hassell are directed by Dominic Cooke. They are big names in the West End, but even they struggle to surmount the dryness of Pigs and Dogs. Uganda has draconian legislation against gays. Established in 2014, […]
The absurd can be the best escape from reality. People laugh not knowing why but it doesn’t really matter in the end because everyone is entertained. This is precisely how audiences feel as they enjoy How To Win Against History at the Ovalhouse Theatre. As people walk in, there is a large string of lights […]
Empathy is what defines Medea, a play that in its nervy, Hellenic way justifies filicide. Any adaptation will carry this legacy, from expressionism to the kitchen sink. Fury, by Soho’s resident writer Phoebe Eclair-Powell, goes working-class in a South London council estate through an inspired but patchy retelling. Sam (Sarah Ridgeway) is a single mother […]
With a mixture of hope, tragedy, war and even a few laughs, Cargo forces audiences to tackle the subject of refugees and what happens when it hits close to home. The audience feels as though they have literally entered a cargo ship. Even the (tremendously uncomfortable) seats make everyone feel physically in the ship. As […]
Originally premiering off-Broadway in the late 70s, I’m Getting My Act Together and Taking It on the Road tackles gender issues head on, exploring the stereotypes and labels given to men and women alike and the prejudices that existed for a ‘strong, independent woman’ during the musical’s setting. Despite being written nearly 40 years ago, many of […]