Before we announce the winners of the 2013 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. UnSpun Theatre’s ambitious adaptation of Gunter Grass’ epic Holocaust novel The Tin Drum is nominated for three My Theatre Awards this year: Best Director for Chris Hanratty’s clarity of vision and use of space, Best Ensemble for […]
Before we announce the winners of the 2013 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. Jesse Nerenberg was the first independent artist to ever win a My Theatre Award for Best Actor (he took home the inaugural prize for his 2010 performance as Alan Strang in Equus). Since then, […]
Before we announce the winners of the 2013 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. Soup Can Theatre was one of the very first companies to come on our radar when My Theatre first started up in 2010. Their Best of Fringe hit Love is a Poverty You Can Sell […]
What is it precisely about social media and the advent of incessant and overbearing forms of constant communication that have led to the breakdown of meaningful long distance relationships? Shouldn’t the ability to maintain interpersonal communications allow two individuals to grow together? Or, is there some truth in the old adage that absence makes the […]
As You Like It is my absolute favourite Shakespearean comedy. It’s both sweepingly romantic and wryly realistic about love and marriage. It’s fantastically witty but also deeply melancholy. It has as much to say about friendship as it does about romance. It’s philosophical, fun, touching and generally a pretty easy slam dunk of a show. […]
Increasingly, some of the most solid theatre on the Toronto scene has come from companies you could classify as “Indie 2.0” (technically an Equity term but one I’ve decided to allocate a bit more freely). These are companies that operate along indie lines, with small-ish budgets and casts, but use union artists. The effect is […]
When I first spoke to Red Light District Artistic Director Ted Witzel in preparation for his 2010 production of Woyzeck, three things stood out to me. The first was his obvious intelligence and sense of artistic adventure- he’s a jumble of 8-syllable words and avant-garde German theatrical philosophy. The second was a heightened social conscience- […]