Possum Creek Beth Ann, a naïve farmer’s daughter with a heart of gold (and, ostensibly, unlimited ink and paper) left behind over 3000 letters written to her husband Joseph after he left home to fight in the Civil War just one day after their marriage – letters that would later serve as the basis for […]

 

I am thankful to see a crime drama in a London theatre. It is a scarce genre that deserves to be on the stage more. It is smart to set Caught mostly in an interrogation room: it is a perfect place for intimate, subtle theatre. We see a detective pick apart the alibis of those […]

 

Click Here for our full coverage of the 2015 SummerWorks Festival. Seams (B) An excellent cast and interesting subject matter elevate this somewhat dull, badly paced play about theatre seamstresses in 1939 Russia. Ewa Wolniczek is particularly memorable as Marina, a young woman with too much fight in her. Sochi Fried and Elizabeth Stuart-Morris share […]

 

Click Here for our full coverage of the 2015 SummerWorks Festival. HYPER (A) Created and performed by Freye Björg Olafson, Hyper is a conceptual dance piece, incorporating projected videos, pictures, and even a little bit of 3-D. Different dance routines are choreographed to form a kind of narrative. We see her first in the flesh, wearing […]

Letter To Larry has the advantage of being a play that one cannot reasonably turn away from. It does this by its dialectics—past and present; stage and life; mania and depression—to the effect that the audience is engrossed and rarely numbed by the terrible sadness of it all. This balance is clearly a troublesome one […]

 

With a team of four writers, we managed to cover almost the entire theatre series at the 25th SummerWorks festival. See below for all the reviews (ranked by the grade they received). The My Theatre Favourites Discount:  If your SummerWorks show scores an A+ or A, you can cash in on that goodwill with a […]

 

Every year, StageWorks Toronto takes some sort of step forward in the quality of their musical production. In 2013, they tackled one of the most difficult scores ever written; 2014 featured their strongest cast ever with an across-the-board excellent ensemble; 2015 is the year they finally eliminated blackout set changes! While that key feature is […]

Click Here for the Full List of our 2015 Toronto Fringe Reviews. Let’s Start a Country! (B+) This show is a fun, interactive piece in which Gerard Harris and Al Lafrance build a new micro-country with their audience. Part civics lesson, part parody, you get to name your country, choose a flag, construct basic laws, […]