Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. One of the first performances we saw in 2015 was also one of the year’s most memorable. Anthony played a tough and tortured cop in A Steady Rain, Paper Moon Productions’ tense memory play about best friends and […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. The inventive and thoughtful director behind Wolf Manor Theatre Collective’s dark and brutal take on the Scottish Play, Claren Grosz mined countless surprising moments from a text we weren’t sure could surprise us anymore. The Outstanding Direction nominee […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. In the semi-immersive, totally sustainable Outside the …
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Despite being a perfectly nice, approachable, seemingly non-homicidal individual, Dylan Brenton plays a lot of murderers (the first time I saw him was literally a production of Assassins). It’s fitting, then, that his performance as arguably the most […]
Dean Gabourie‘s sparse and tonally conflicted staging of Howard Barker’s The Castle seems to feature every actor you’ve ever seen at the Storefront. There’s the ever-reliable Sean Sullivan hamming it up as the builder Holiday and Brenhan Mc Kibben, enigmatic and steady as the sidekick-y Batter. The design team, the photographer, front of house and […]
Belarus Free Theatre can claim that not only is it underground in form but also in substance. What it discusses in its plays is subversive: it challenges basic principles that constitute modern society. Of course, the substance of the underground exists on a spectrum, all the way from Dostoevsky to VICE magazine. After seeing four […]
I realize that the title of this piece may be a bit misleading. To “bash” something, at least in my line of work, is to pan a production so aggressively that you run the risk of being pulled from the comp list. Luckily, Shakespeare Bash’d and I are not in the same line of work. […]