Casimir and Caroline opens on a balcony. No…. more than that. The play opens on a balcony at a corporate office party while the heads of corporate are in fact up in the sky in a zeppelin. Now have you ever actually really experienced a balcony at a corporate office party while the heads of corporate are […]
There is something quite delightful about walking into a bar, grabbing a beverage and settling in to watch a show. If you are familiar with this feeling, odds are you have seen a few Shakespeare BASH’d shows in your day. Their take on A Midsummer Night’s Dream begins the way any good show should- with […]
Strong design elements and performances give Girl in the Machine,…
Set in the British Columbia town of Kelowna against the backdrop of the worst wildfire season in Canadian history, Dock Mother God Society, Blood Pact Theatre’s latest production, is the story of personal, familial, and societal dysfunction that is both tragic and hilarious in its storytelling and delivery. In this one act play, we meet […]
Both the best and worst thing about theatre, and indie theatre especially, is its ephemerality. Productions close so fast that you never have the time you need to tell every person you’ve ever met, and some you haven’t, that they have to see the show you just saw. And in the Toronto independent theatre landscape, […]
Take a look at our full list of 2019 Fringe reviews HERE. Emotional Labour (A) Written and performed by Jess Beaulieu and Luis Fernandes, this clever two-hander about the division of labour, both emotional and physical, in modern relationships is devastatingly relatable. It’s not subtle, but I fear if it were any more subtle it would […]
Take a look at our full list of 2019 Fringe reviews HERE. Off the bat, because all our other Fringe reviews have letter grades right beside the title, let’s get this out of the way and just say The Huns is getting an A. But read on for too much explanation of why that grade doesn’t […]
Take a look at our full list of 2019 Fringe reviews HERE. I, Malvolio (B+) Justin Otto’s performance in I, Malvolio is powerful. If you can take anything away from this review, let it be that. Otto demands the audience’s attention from the moment they enter the room. There is an air of chaos about Otto’s […]