Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Anyone who follows @MyEntWorld on twitter knows how obsessed I am with @AdrianShepski, the bold, irreverent, unapologetically silly account run by the hilarious Adrian Shepherd-Gawinski. It’s particularly fun, then, to see him in serious theatrical roles like […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. When Pearle Harbour walked…
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Julia Haist’s site-specific solo show at the 2017 Toronto Fringe Festival transported the audience straight back to high school, complete with assignments I was unprepared for and photocopied handouts about a book I hadn’t read (sorry, […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Mikaela Davies refuses to stay in her lane. Having focused on modern work most of her career to date, she stormed onto the Stratford Festival’s prestigious Tom Patterson stage in 2017 in the leading role of […]
Pencil Kit Productions’ The Hungriest Woman in the World is certainly an interesting show. It bills itself as a ‘sexy and elliptical new play’ by Canadian poet and playwright Shannon Bramer. It follows a young woman – Aimee (Nora Jane Williams) – as she escapes from the loneliness and confusion of her own life into […]
In a strange and morbid way, Echo Productions has exceptional timing. Their debut of Charlie: Son of Man, a theatre production about the murders orchestrated by Charlie Manson, opened just two weeks after the icon died in prison. It is inconceivable that Echo Productions could have planned this but their play was perfectly timed for […]
Bathroom intimacy is a key part of any romantic relationship. Worst opening sentence ever? I stand by it only because Filament Incubator’s production of Becky Tanton’s How to Drown Gracefully is often just as upfront (if more elegant) about its characters’ entwined romantic and physical sufferings, and it sets the whole thing, even in scenes […]
Hedwig and the Angry Inch (Hart House Theatre) The saga of Hart House musicals is full of high highs and low lows as their success fluctuates wildly depending mostly, it seems, on the popularity of their chosen show. They don’t pay their performers so, in order to lure the right talent, they have to offer […]