Click Here for the Full List of our 2015 Toronto Fringe Reviews The Weaker Vessels: Public Displays of Narcissism (A-) The Weaker Vessels offer everything you could want from a sketch show. Smart, precise, and razor-sharp, the troupe skewers our narcissistic tendencies and self-absorbed culture. Standout sketches include an exasperated TTC conductor who can’t get […]

Click Here for the Full List of our 2015 Toronto Fringe Reviews Adventures of a Redheaded Coffee Shop Girl (A-) Adventures of a Redheaded Coffee Shop Girl is a follow-up to last year’s Confessions of a Redheaded Coffee Shop Girl, both written and performed by Rebecca Perry. I didn’t see Confessions last year, but I got […]

Click Here for the Full List of our 2015 Toronto Fringe Reviews Bout (B+) Sully’s Gym at Dupont and Dufferin serves as the setting for this two-hander about a coach and his determined boxing apprentice, written and directed by lead Stephanie Carpanini, in collaboration with her co-star Matthew Gouveia. Jackie (Carpanini) is a struggling actor […]

Click Here for the Full List of our 2015 Toronto Fringe Reviews Hanger (A) Hilary McCormack is a wonderful actress- subtle, emotive, engaging and strong (further evidence of this can be found just one paragraph down). Unfortunately, Hilary McCormack is working in an industry and a time where there is not yet a suitably rich […]

Click Here for the Full List of our 2015 Toronto Fringe Reviews Fruit Fruit Mouth Mouth (A-) A dramatic retelling of a children’s poem, Fruit Fruit Mouth Mouth definitely surprised me. The performance is not just a straight telling, in more than one sense. They depict a straightforward version of the poem, but just when […]

 

With so many productions to see (and some of our staffers headed out of town to cover San Diego Comic-Con), we’ve brought on extra help this year to review more Toronto Fringe Festival shows than ever. Over 10 days, 7 critics will be tackling nearly 100 productions. Check out the full list below. The My […]

Umnikelo (Offering)
The opening night of Luyanda Sidiya’s double-bill performances of Umnikelo and Dominion was dedicated to putting an end to xenophobic violence…

Hatched begins with an iconic image, Mamela Nyamza, topless and back to the audience in a long clothespin tutu, strong and statuesque, beautifully silhouetted by the artistry of lighting designer David Hlatshwayo. The dance begins with Nyamza couruing en point across the stage, her back still to the audience and still beautifully silhouetted, her clothes […]