The Witch opens with straight-on, successive shots of adolescent children, staring just off camera, listening to a member of their small Puritan community in 17th century New England banish their father and thus their entire family from its borders. For all its supernatural terrors and shocks, Robert Eggers’ debut feature is driven as much by […]
Popular culture has resoundingly strong opinions and plenty of advice on love. Love is all you need. Love is a battlefield. Love changes everything. Live, laugh, love. Eat, Pray, Love. The list goes on. But, what is this Crazy Little Thing Called Love? For those people who Want To Know What Love Is,* Benjamin Folstein’s […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Stupidhead! A Mucisal Cmoedy (B+) A rare straightforward and simply charming effort at the festival, this original one-woman autobiographical musical is refreshingly unafraid of seeming conventional and is therefore able to really be truthful and simply enjoyable. The form is unoriginal and the songs a […]
Click Here for our full coverage of the 2015 SummerWorks Festival. The Emancipation of Ms. Lovely (A-) Almost every play that I have seen at Summerworks this year has involved characters and events that transcend whole decades, and sometimes centuries. In An Evening in July, two women seem to be living simultaneously in the early […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Seams (B) An excellent cast and interesting subject matter elevate this somewhat dull, badly paced play about theatre seamstresses in 1939 Russia. Ewa Wolniczek is particularly memorable as Marina, a young woman with too much fight in her. Sochi Fried and Elizabeth Stuart-Morris share […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Offending the Audience (A) Offending the Audience, originally written in 1960, and here conceived by Christian Lapoint, is, if nothing else, an experience. An extended, poetic, contradictory monologue, the piece is, for the most part, an hour of taking the rules of theatre and […]
Due to a busy summer schedule, I was unable to attend much of the Midtown International Theatre Festival; however, I caught a few productions at the festival to kick off August. Puzzle the Will Hamlet has been reinterpreted in so many different ways that it is rare to come across a unique staging of this […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Like There’s No Tomorrow (A+) Like There’s No Tomorrow tells the story of the Northern Gateway Project, and it effect on people on First Nations’ communities in Northern British Columia. Based on interviews conducted by Architect Theatre in 2012 and 2013, Like There’s No […]