I stole the title of this article from one of the productions I’m reviewing within it. It’s a great title that hits perfectly on the unifying theme of the many plays I’ve seen this week. I hope they don’t mind my stealing it. Angels in America (That Theatre Company in association with Buddies in […]
You ever fallen up the stairs before? I don’t know why but I feel more foolish when I fall going up the stairs then I do when I fall down the stairs. You see if you fall down the stairs at least it’s like gravity doing it’s natural part taking you down. But stairs are […]
Traditionally, the Gothic aesthetic has dabbled with imagery of the supernatural, haunted castles, and other spooky fare. It is more reminiscent of Stoker’s Dracula lurking around Transylvanian castles than velour tracksuits and cozy log cabins, but this is Canada, eh, and Canadian Gothic needs to represent this nation and its inhabitants. Yes, Canadian Gothic is […]
Initially staged at SummerWorks in 2015, Erin Shields’ Beautiful Man features Jennifer, Sophie, and Pam (Ashley Bottling, Mayko Nguyen, and Sophía Rodríguez), who perch on stools facing the audience. They chat about their favourite show featuring a woman detective who investigates violent crimes targeting beautiful young men. They gush over her darker side – she’s […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Theatre artist and educator Janelle Hanna is well known to Toronto Fringe audiences, where she’s appeared in a half dozen shows, including her own subversive solo clown show, Bad Baby Presents: Rules Control The Fun. But her turn […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Jani Lauzon has for more than three decades cultivated a career in storytelling that utilizes myriad artistic practices and disciplines. She’s been an actor on stage (from Stratford to the National Arts Centre) and on screen […]
Two shows that had smaller stage runs when they first debuted are back in Toronto, with more room to breathe. At Factory Theatre, Bears is back, after a far too brief run (just ten shows) at the Theatre Centre last spring. Created out west by Aboriginal Performing Arts and Punctuate! Theatre (whose Matthew MacKenzie both […]
“Why should I fight the white man’s war, when men like you take everything away from me and my people?” This incredulous question strikes at the heart of Gods Like Us, a deep resonating expression of the complete disconnect between the priorities of two men from very different backgrounds. The undercurrents of racial divide and […]