Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series.   I would not get a lot of pushback if I were to say that Tom Rooney is the best stage actor currently working in Canada. Obviously that’s a subjective assertion, but it’s awfully hard […]

Death and marriage are all the rage on Toronto stages at the moment with four current productions totally preoccupied with one or both. The most prominent is Groundling Theatre Company’s Lear, the young company’s best-to-date by miles. The press release for director Graham Abbey‘s well-focused production claimed that the company was presenting “Lear with a […]

A&R Angels is a story about two songwriting guardian angels who use their music to pull people back from the brink of suicide. Though late in their career, their music is failing to connect with people the way it used to. They only have a few chances left to prove they still can still be […]

 

Coal Mine Theatre is drawn to disturbing programming about mankind’s darkest truths. Their productions are often visceral, unpleasant, gritty, caked in blood, laced with profanity and only sometimes ultimately uplifting. Orphans is all of those things except the last one. Though funny and at times even sweet, it might be the darkest display of humanity […]

 

The Orange Dot, a Theatrefront presentation, is all about mansplaining. If you’ve been living under a rock for the last few years and don’t know what mansplaining is, then this play is going to be an educational experience for you. If you try to prevent mansplaining in your everyday life, then The Orange Dot is […]

 

Anton Piatigorsky’s Breath in Between is playing in Crow’s Theatre’s brand new studio space until the end of the week but I’m still trying to figure out how it got there in the first place. Crow’s Artistic Director Chris Abraham is someone I associate, above all, with good taste. His own productions are always impeccably […]

Created by Khari Wendell McClelland, Freedom Singer is a gorgeous, thrilling, and refreshing theatre experience. The show is launching the Scotiabank Community Studio space at Streetcar Crowsnest Theatre in Toronto, and will be going on a cross-Canada tour throughout February (Black History Month). Juno-nominated singer-songwriter McClelland narrates his search to find out what he can […]

 

Kristen Thomson’s new play The Wedding Party opens not only the 34th season of Crow’s Theatre, but has the honour of being the inaugural production of the new Toronto theatre Streetcar Crowsnest. Those of us who have been to a few weddings (or a few dozen, as the case may be) will know that although the wedding […]