Theatre As fall formally begins and the major Toronto theatre companies launch into their 2024/25 seasons, two star-studded and atmospheric tragedies take centre stage. Each directed by their host company’s reliably inspiring artistic director, Crow’s Theatre’s Rosmersholm (Chris Abraham) and Buddies in Bad Times’ Roberto Zucco (ted witzel) both offer short but heady translations […]
Obsidian’s production of seven methods of killing kylie jenner by Jasmine Lee-Jones finishes their 23-24 season at Crow’s Theatre on a strong note. Twitter, like many social media platforms, flattens out the three-dimensionality of users. This production, by contrast, breathes life into the world behind a series of seemingly violent tweets. Lee-Jones’ play tells […]
Three Sisters (Soulpepper & Obsidian Theatre Company) For Inua Ellams’ adaptation of Three Sisters set during the Nigerian Civil War, two of Toronto’s most prestigious theatre companies and acclaimed director Mumbi Tindyebwa Otu (also the Artistic Director of Obsidian, one of said prestigious companies) have assembled the all-starriest of all-star casts, bringing together an incredibly […]
Don Giovanni (Canadian Opera Company at the Four Seasons Centre) The COC’s new production of Don Giovanni replaces a much more casual, modern version that I loved but few others seemed to. In its place is a more conventional take with period costumes and the hulking cube set from Fidelio repurposed with doors in place […]
I stole the title of this article from one of the productions I’m reviewing within it. It’s a great title that hits perfectly on the unifying theme of the many plays I’ve seen this week. I hope they don’t mind my stealing it. Angels in America (That Theatre Company in association with Buddies in […]
A disclaimer accompanies Michael Healey’s latest political drama The Master Plan: the following is a work of fiction. A work of fiction about events not very long ago (2017-2020) in a land not very far away (a 10 minute drive from Crow’s Theatre where the play has been extended until October 8). A work of […]
Presented for just four days at the versatile and dance-friendly Crows Guloien Theatre, X (Dix) is a robust and balanced showcase for five dancers of varied stylistic backgrounds who come together as a cohesive ensemble each with their own moment in designer Simon Rossiter’s inventive, geometric light. Rossiter’s work pairs with Son Lux’s music to […]
On stage until December 18th in a well-cast and capable production at Crow’s Theatre, Lolita Chakrabarti’s Red Velvet tells a fictionalized account of the life of Ira Aldridge, one of the first Black actors to become a prominent Shakespeare performer. The production is a testament to Crow’s heads up approach to casting within the […]