Present Laughter isn’t particularly remarkable. It’s a pretty standard Shaw production despite being written by Noel Coward and not George Bernard Shaw (who only wrote two plays slated for the 2012 season, actually). The costumes are pretty, the set is impressive if not interesting and everybody has British accents. Shaw’s Festival Theatre is a typical proscenium arch- […]
In a season where Stratford is struggling a bit, I haven’t seen a bad Shaw production yet. Ragtime is Fantastic (more on that later) and His Girl Friday is pretty good (again, more to come) but it’s French Without Tears that surprised me the most. I wasn’t sure what I was getting myself into at […]
It drags in a middle but The Sunshine Boys is the best comedy Soulpepper’s done since they last did Neil Simon (in last season’s The Odd Couple). Simon is hilarious, with a wonderfully human touch of sadness, and the seasoned, naturalistic Soulpepper company fits perfectly with his style. Ted Dykstra smartly doesn’t add too much […]
I have seen a lot of Shakespeare in parks, but I am fairly new to other theater presented outdoors. The last show I saw from Apollinaire was Cyrano de Bergerac, also in Mary O’Malley Park. Even though it was not Shakespeare, that text has a certain poetic bombast that doesn’t feel out of place when […]
Mamet is a fantastic playwright; one of my favourites. His work is dark and invasive but also incredibly funny. In the right hands, Mamet can be extraordinary to watch or, rather, listen to. He writes in incomplete thoughts, long-winded musings, and abrupt expletives- essentially, he writes how we talk. At least the fast-talkers, he writes […]
Next year, The Stratford Shakespeare Festival is getting a new Artistic Director. Antoni Cimolino isn’t actually all that new, he’s been with the festival for decades (remember when he played Romeo to Megan Follows’ Juliet?) and is currently its General Manager. But his promotion means a lot for where the festival is going. And, predictably, […]
This was a tough Fringe. On one hand, I did a terrible job of getting out to shows, only seeing 9 in total (plus whatever I take in at Best of Fringe). On the other hand, part of the reason I was so unenthused about long days of Fringing was that I wasn’t impressed with […]
Imagination is a terrible thing to waste. For a company that actively strives to ‘re-imagine worlds, re-connect communities, and re-awaken artists through the power of theatrical performance’, Imaginary Beasts wastes nothing with their summer smash “Cruel Botany”. Director Matthew Woods impressively leads his company of actors through not one, but two plays in anything but […]