Two of the best productions currently running on Toronto stages share the unique bond of being ballsy enough to tell a beloved play’s story from a different angle. A practice that’s inescapably commonplace on television and often even in film and literature, the spinoff is far from a regular occurrence in theatre. The most famous one is […]
I am not the person to talk about Necessary Angel’s current production of 4.48 Psychosis. Abstract, poetry-driven contemporary theatre is not my cup of tea to begin with, but more than anything I say I’m not the person for this task because 4.48 Psychosis is a deeply personal piece about a woman whom I never […]
You could feel the hum of electricity in the theater, both in the metaphorical sense of the audience’s anticipation, and in the literal sense of thousands of light bulbs dangling brightly in front of your eyes. When the iconic ceiling of lights first came alive you could feel the electrical buzz, and there was a […]
Like a spark of creation, Lyric Stage Company of Boston brings an inspiring, talented, and absorbing production of 33 Variations to the Boston community. Toggling between present day and nineteenth century Austria, 33 Variations explores the creative process, transcendental beauty, the meaning of genius, and the passions within us all. The playwright, Moisés Kaufman, is […]
This show has led me to realize that “falling” in love is a rather ominous term. It appears that relationships are doomed from the beginning, especially ones that have started off as a coup de feu: too intense to really survive their original spark. It seems like this is the case between Anabel (Julia Lederer) […]
Neil Simon’s Plaza Suite will be The Calliope Project’s premier show as an independent group. The three act comedy mixes dark and light humor to portray three families staying the Plaza Hotel and their trials though an affair, a seduction, and a wedding. Each act is led by a different director to layer different ideals […]
Being no stranger to Flat Earth productions, I was ecstatic to kick off my new year with one of theirs. Never much being one for Absurdist theater, nor having a particularly deeps knowledge of Czech playwrights, I went in to The Memorandum completely blind, and suffice to say I was blown away by what I saw. Richly presented […]
Hannah Moscovitch is such a solid playwright. Her works is so consistently good it’s beginning to border on predictable. It’s rare that I’m completely enraptured by a Moscovitch piece but I’m always impressed and effected. She chooses hard subjects and captures them vividly with sharp, realistic dialogue and rich characterizations. A Moscovitch play is the […]