Every once in a while, in the middle of writing a review, we’ll be overcome with a feeling of déjà vu. Whether it’s the Sorkin loyalty on our TV branch or My Cinema’s longstanding affection for Soderbergh, sometimes we find ourselves praising a single artist so much that we start to worry about sounding objective. […]

The Footlight Club’s production of Tracy Letts’ August: Osage County, staged at Eliot Hall in Jamaica Plain, leans more heavily towards the exhausting, grinding facet of living through a dysfunctional family’s foibles than towards the uneasy, occasionally violent expression these foibles give way to. The audience is led through the darkly funny strangeness constantly burbling […]

 

I am a Manhattanite. If I make it north of 14th Street, I am probably on my way to see a show or am playing tour guide to visiting friends. God forbid I have to cross water to get somewhere. However, last Saturday night, I headed to Bushwick in Brooklyn for the first time, which […]

This is the second year in a row that My Theatre’s Emerging Artist Award has gone to someone who serves as the face of their theatre company (this year’s Honorary Award did too). The reason for that is fairly simple- the regular My Theatre Awards have a ton of acting categories, one for playwrights and […]

It is difficult to graduate with a college degree without drinking at least one White Russian at a The Big Lebowski viewing party. My college experience was no exception, and I have developed an appreciation for Ethan Coen’s sharp use of language, his dark comedic style and his eccentric characters through many viewings of his […]

With the crazy summer theatre season finally coming to a close, many of Toronto’s smaller companies are taking the lull in big-ticket fare to kick off their seasons with intimate, impactful dramas. The first two plays I saw this week were two-act studies of modern life at polarized ends of the socio-economic scale, both written […]

I didn’t know what to expect when I agreed to review Bridge Repertory Theater of Boston’s The Libertine. I rarely review new companies, after making that mistake much earlier in my reviewing career; now, I wait until they have established themselves for a season or at least I know a few reputable actors. Here, I […]

Season Ranking: #1 Tom Stoppard’s Arcadia is a genius text written by a genius about geniuses. It gets better every single time I read or see it and The Shaw Festival’s 2013 production easily continued that trend. The play is complicated and rewarding but also fun and diverting. It’s filled with scholarly concepts the full […]