Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Frank Cox-O’Connell is a multi-hyphenate theatre artist who came up through the Soulpepper Academy and has gone on to help create some of the most interesting work in the last decade of Toronto theatre. He’s […]
What does it mean for a performer to take on a role? Prince Hamlet, Ravi Jain’s radical reframing of the Shakespeare classic remounted here by Canadian Stage and Why Not Theatre, juggles contradictory answers to that question. Jain describes his mission as “challeng[ing] what stories are being told and who gets to tell them”, which […]
Many Shakespeare plays present an imposing barrier to entry even for educated audiences. Directors devise increasingly inventive ways to make them accessible or relevant – or at least to have their own fun and leave their own mark on the work in the guise of doing this. Othello weds a simple plot, touching on familiar […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Elizabeth Saunders-Brown is a theatre director, teacher, writer and actor, known for her work on Slings and Arrows, Orphan Black, and Alias Grace, among others. She has been nominated for Outstanding Supporting Performance in a Play for her […]
Over the last three months, Spur-of-the-Moment Shakespeare Collective’s ensemble…
The Music Man The best production at the Stratford Festival this year is an incredibly dated musical with a couple good (not great) songs and a story made of truly silly stuff. But there’s a reason Stratford asks so much of Donna Feore every season- basically handing her their full musical slate and saying “go, […]
Coriolanus The Avon Theatre is lucky to have this big splashy Robert Lepage hit because it’s the only particularly good thing in the space this year. And even then, it underwhelms at least a little. Lepage brings what one could expect Lepage to bring- inventive use of video, ambitious aesthetics, a filmic approach to transitions […]
Paradise Lost Lucy Peacock is a fabulous spotlight-stealing supernova as Satan in this excellent new adaptation by Erin Shields. She wears fabulous clothes, says fabulous lines, directly addresses the audience, and just generally swags the place up. But the really compelling stuff comes from Qasim Khan and Amelia Sargisson as Adam and Eve. They’re a […]