Edmond (The Storefront Arts Initiative) In David Mamet’s bleak one-act Edmond, nearly every actor plays multiple roles. Director Benjamin Blais has his large, diverse cast nearly omnipresent and in perpetual motion, creating a swirling, oppressive crowd through which Tim Walker’s frantic Edmond has to constantly fight to make his way to each of the 23 […]
Attending Actors’ Shakespeare Project’s production of Othello, directed by Bridget Kathleen O’Leary, staged at The Modern Theatre at Suffolk University, I focused on John Kuntz’s Iago. He didn’t go for hand-rubbing evil villain; he didn’t laugh maniacally during his many asides to the audience. He wasn’t particularly smooth-talking or violent. In fact, he was mostly […]
This is not the youthful adrenaline shot that it sets out to be. Stoppard’s abridgement of Shakespeare tragedy-laden comedy is marred by poor direction choices, although the performances, as in the NYT’s other shows, are of a remarkably high calibre given the REP cast is handes their hardest material yet with the Merchant of Venice. […]
Director Michael Almereyda’s thrilling new film adaptation of the strange and semi-obscure Shakespeare play Cymbeline begins with three words on the screen- “Keep Your Head”. It’s the name of the production company and a reference to the eventual demise of one of the characters (a brutal death that, because Cymbeline is all over the place […]
An odd, rarely produced adventure at sea that many Shakespeare fans have never seen, Pericles is the only one of the four Shakespeare plays currently at the Stratford Festival to be relegated to one of the smaller theatres. Dreary Hamlet, overly traditional Shrew and uneven Love’s Labours are all playing on that famous festival stage […]
Of the many “just do the play” attempts at Shakespeare this season on the Stratford mainstage, director John Caird comes closest to presenting an incarnation of true interest. Patrick Clark’s overly pretty design traps the actors and distracts the audience and a few casting missteps drag the affair down but, armed with arguably the most […]
The Unit 102 Theatre at Queen and Dufferin is an interesting space. It is a black box theatre, with the audience on two sides meeting at the downstage right corner, which also functions as an entrance and exit for the actors. It’s small so it can make for a very intimate theatre experience. The main […]
Gord Rand is new to Stratford; he did one studio production back in 2002 but Oedipus really feels like a brand new introduction. Like with Maev Beaty last season, this is a strange reality that gets people talking about a well-established and highly respected performer as if they are just now being discovered. In the […]